In Chapter 16 of his 1930 memoir, Vagabond Dreams Come True, Rudy Vallée recounts his earliest experiences in the recording studio.
IT’S IN THE WAX
THE SAX GOD—WIEDOEFT
In Chapter Ten of Rudy Vallée’s 1930 memoir, Vagabond Dreams Come True, Rudy relates tales of a ten-week tour that covered a half-dozen vaudeville theatres scattered across New York City, in every borough save Staten Island. Rudy and his band even played the very top theatre in all of vaudeville, the Palace.
The band’s radio audience turned out in droves to see them do their stuff in person, and Rudy could tell the tour was a big success, thanks to what he describes as “the telepathic interchange of appreciation with which the air [became] charged.” (We know, we know—it had us scratching our heads, too.)