We had no idea that the USPS was selling “forever” stamps that featured delightful, old-school soda fountain treats, but we’d like to go on record right now as saying we heartily approve! Buy yours today!
On a recent visit to a paper ephemera store in our hometown of Oklahoma City, we came across a vintage magazine called The Oklahoma Whirlwind. Dated 1928, it was tightly sealed in plastic and the crusty proprietor of the shop wasn’t willing to let us to peek at the publication’s contents, but we found the cover illustration intriguing.
Was it even remotely possible that in 1920s Oklahoma, there was a magazine that was marketed to—or, heck, even friendly toward—the gay community? Surely not, but here was this cover, plain as day, right before our eyes.
As you’ve already guessed, we broke down and bought the vintage magazine, ripping open the plastic as soon as we stepped out of the shop. We quickly ascertained that The Oklahoma Whirlwind was a college humor magazine, published by students at the University of Oklahoma. The material is pretty typical of the era and of limited interest (though a few of the advertisements have appeal). No mention is made of the illustration of the cover.
But a closer inspection of the illustration revealed a couple of details that suggest the cover wasn’t so gay-friendly, after all. The tiny depiction of a rat chasing a mouse and a bird giving the go-by to a willing-to-be-eaten worm (see below) suggests that the point the artist is making is that a gay couple canoodling on a park (or campus, perhaps?) bench is against nature, or something along those lines. As depictions of homophobic sentiments go, this one’s pretty mild, thankfully, and perhaps even crosses over to good-natured.
Big news! We’re holding a giveaway! One lucky winner will receive this one-of-a-kind hardbound book that collects the wit and wisdom of 20 actresses from the Golden Age of Hollywood, and it’s available only through Cladrite Radio! If you’ve enjoyed the Hollywood quotes we’ve shared with you in the past, you’ll want to own this volume! Ann Sheridan, Fay Wray, Myrna Loy, Barbara Stanwyck—they’re all here, and many more of your favorite actresses are represented, too!
To enter for your chance to win, just follow us on Twitter and retweet one of the giveaway announcements we’ll be posting through April 11. That’s all there is to it! But hurry—you only have until 6pm ET on Monday, April 11, to follow us and retweet one of our announcements!
We recently came across this 1934 pamphlet/game board. It was a handout from WCCO, a Minnesota radio station that began operation in 1922 as WLAG (the call letters were changed to WCCO in 1924). But the pamphlet appears to have been issued by the CBS network, not an individual station. It’s our bet that this was distributed by CBS-affiliated stations across the country.
In 1934, CBS was headquartered in New York City (much of their programming originated from Steinway Hall on West 57th Street in Manhattan), and we can only guess that it’s that facility that’s depicted here (but we encourage more astute radio historians than we are to chime in if we’ve got that wrong—Edit: A more astute radio historian did chime in; see the comments below).
Among the famous (and perhaps now not-so-famous) faces you’ll see on your stroll through the studios are crooner Dick Powell, theatrical impresario Samuel “Roxy” Rothafel, Irving Kaufman (in his Lazy Dan, the Minstrel Man mode—really? Blackface on the radio?), Bing Crosby, Fred Waring and his Pennsylvanians, Isham Jones, and George Burns and Gracie Allen, among others.
Click below to see a higher-res version of the image, or to view or download an even larger, higher-res version, click here.
For just under a year in the mid-1940s, a company called Sav-Way Industries of Detroit, Michigan, produced a series of 78s that were like no others.
The artists featured on those recordings weren’t what made them notable; many of them are all but forgotten today, though the roster did include a few artists who might be familiar to Cladrite Radio listeners—names such as Shep Fields, Art Mooney, and Phil Spitalny.
What set apart the seventy-four 10-inch Vogue records that Sav-Way released over between May 1946 and April ’47 was that they were picture discs—phonograph records that have an image embedded in transparent vinyl, usually depicting a scene that relates to the song on that side of the disc.
Below are three examples, but don’t be satisfied with these. There are many more available at VoguePictureRecords.org, a site that celebrates these forgotten treasures.
Our only complaint about the site? No audio. But YouTube features a number of VPRs, of which a couple can be accessed below.