A Small Gift from Cladrite Radio to You

Because we are all being told to remain “socially distant” and many of us are holing up at home out of concern over this confounded virus, with Broadway theatres going dark (and theatres elsewhere, too, we assume) and sports of every stripe being postponed, if not outright canceled, we’re all looking for edifying, comforting and safe ways to fill our time.

As many of you know, one of the perqs we offer to our Patreon supporters is a monthly Turner Classic Movies Tip Sheet, in which we recommend (at least) one movie every day from TCM’s lineup. Usually this is made available to patrons at the $5 level and up, but starting today and for the foreseeable future, we are going to make this tip sheet public—available to everyone, patron or not—as we can all use ways to distract ourselves these days.

One of these days, when things have returned to something like normal, our TCM Tip Sheet will go back behind the Patreon firewall, but for now, beginning with the March 2020 edition, it’s available for all to view.

(Our apologies to those outside the USA—we know this announcement doesn’t do much for you, but we wish you good health and entertaining distractions.)

Under Chicago’s Hawaiian Skies

Anyone who watches old movies even occasionally has witnessed a scene set in a restaurant or nightclub where a fetching young women approaches a table occupied by the leading man and lady and asks if they would like a souvenir photograph.

After our mother’s passing in 2010, we spent hours going through dozens of old photographs we’d never seen before (many of which we’ve shared with you here), and one that especially sparked our interest was enclosed in a folder labeled “Louie’s Club 29,” a long-gone nightspot in our home town (Oklahoma City, don’t you know). The picture inside the folder depicts Mom and Dad Cladrite as young marrieds, out for an evening of fun with friends (their backfence neighbors) and Dad’s youngest sister and her beau. You can learn more about that souvenir photograph here.

The cover of the Honolulu Harry's Waikiki photo folder Eddie, Lois, Mom and Dad at Honolulu Harry's Waikiki

Last year, sad to say, we lost our father, which led to another deep dive into the photograph bin, and we were very excited by another souvenir photograph, this one from—wait for it—Honolulu Harry’s Waikiki, a tiki bar and restaurant in Chicago. In this picture, Mom and Dad (that’s them on the right) are accompanied by Mom’s lifelong friend, Lois, and her husband, Eddie. Lois and Eddie resided in Atlanta, so the two couples must have met up in the Windy City (we don’t know for certain what the occasion might have been). This picture was taken in the early to mid-’50s—we know this because Honolulu Harry’s opened in 1952 and by the late ’50s, Mom had gone blond. In this picture, Mom still sports the medium brown locks she was born with, so the picture has to date to the few years in between.

Honolulu Harry's WaikikiWe were amused to see that the photographer at Honolulu Harry’s seems to have been quicker on the draw than the waiter. As you can see, the table is spotless, the ashtray empty, the four cocktail napkins still fresh and unsullied by condensation or spilled Mai Tai. We imagine the plastic (or were they paper in those days?) leis were placed around the foursome’s necks as soon as they entered and before menus were even placed on the table, and that the Johnny (or Jill)-on-the-spot photog hurried over and snapped this picture.

Honolulu Harry's WaikikiWe wonder if the two couples were initially seated facing each other (note the arrangement of the napkins) but for the sake of the photograph, with an empty table beside them, perhaps Lois and Eddie slipped around and slid in next to Mom and Dad, only to move back to the other side of the table afterward (yes, yes, it’s a minor detail, but we’re suckers for such minutiae.)

Honolulu Harry's WaikikiHonolulu Harry’s Waikiki was in operation for a decade, from 1952-62. It offered that odd combination of Asian and Pacific/Polynesian influences so often seen in tiki joints of the era—the establishment’s advertising touted “American, Cantonese, Japanese and Hawaiian foods with dancing under the Hawaiian skies” and that same awkward but fun cultural blend can be seen in the club’s decor and even the design of its exterior.

Fun fact: The previous occupant of this space was the Barrel o’ Fun Tavern, a favorite hangout of Mr. Fun himself, John Dillinger.

If only Mom and Dad Cladrite (and Honolulu Harry’s Waikiki) were still with us—we’d join them in a heartbeat for a Waikiki Zombie and a Pupu Platter.

The Mystery of the Chameleon Scarf

There’s a certain kind of movie buff who lives to discover minor continuity foul-ups in motion pictures. Is Carole Lombard‘s cigarette ash now a quarter-inch long when it was half an inch just a moment ago? Is William Powell‘s martini glass now full when it was nearly empty in the last shot?

Some film fans rush right to IMDb.com to register these flubs as soon as they spot them, but to be honest, we find this particular hobby of little interest and are happy to leave it to those who enjoy it.

But every now and then, even we spot an incongruity that warrants a raised eyebrow and presents a mystery to be solved. Watch the video below for just such a cinematic puzzle, this one discovered in the 1948 Bette Davis picture, Winter Meeting.

Dizzy Dialogue in ‘Christopher Strong’

While watching Christopher Strong (1933) recently, we were struck by one perplexing line of dialogue. First, some context…

Christopher Strong posterIn the movie, Colin Clive plays the title character, a member of Parliament who prides himself on his love for and commitment to his wife of many years (played by Billie Burke, who was, it’s interesting to note, nearly 16 years older than Clive). Their daughter, Monica (played by Helen Chandler, who was just six years younger than Clive—quite a trick, that), is a thrill-seeker who, as the movie opens, is involved with Harry Rawlinson (Ralph Forbes), an unhappily married man.

Katharine Hepburn plays Lady Cynthia Darrington, a world-renown aviatrix, in the picture, which was just her second movie. We’ll get back to her.

Rawlinson eventually divorces his wife and weds Monica. Sir Strong and Lady Strong initially oppose Monica’s marriage to a man she was having an adulterous affair with, but when she announces that she’s pregnant, they are persuaded to accept the union and be happy for Monica and Harry.

But here’s the point of this post: During a scene at a restaurant, where Monica and Harry have just revealed to Lady Strong that they are expecting, in walks Lady Darrington—who, as it happens, is having an affair with Sir Strong (we know, we know) and is, unbeknownst to him, also pregnant.

A woman of her acquaintance approaches Lady Darrington to share Monica and Harry’s news of a coming blessed event, and in sharing this news with her, the woman says something along the lines of, “They don’t yet know whether it’s a girl or a boy.”

And that left us scratching our heads: Monica and Harry have just learned they’re pregnant, and it’s 1933. Of course they don’t know if it’s a boy or a girl, right? We almost expected Lady Darrington to do a double-take and say, “Of course they don’t know if it’s a boy or girl—how could they?”

So why was that line in the picture?

We wondered if perhaps we just weren’t up to speed on the state of obstetrics in the early 1930s, so we checked with our favorite ob-gyn, Dr. Mary Kirk, and asked her if there were, at that time, accurate scientific methods of determining the sex of an unborn child that we were simply unaware of.

“In the 1930s, you would find out the sex in the delivery room,” said Dr. Kirk. “There were all kinds of old wives’ tales, but nothing reliable. Ultrasound was not even very accurate or consistent until the 1970s, and only then much later in a pregnancy.”

In short, Dr. Kirk agreed that the line of dialogue was very odd, indeed. So the mystery of why it was included remains…