Dizzy Dialogue in ‘Christopher Strong’

While watching Christopher Strong (1933) recently, we were struck by one perplexing line of dialogue. First, some context…

Christopher Strong posterIn the movie, Colin Clive plays the title character, a member of Parliament who prides himself on his love for and commitment to his wife of many years (played by Billie Burke, who was, it’s interesting to note, nearly 16 years older than Clive). Their daughter, Monica (played by Helen Chandler, who was just six years younger than Clive—quite a trick, that), is a thrill-seeker who, as the movie opens, is involved with Harry Rawlinson (Ralph Forbes), an unhappily married man.

Katharine Hepburn plays Lady Cynthia Darrington, a world-renown aviatrix, in the picture, which was just her second movie. We’ll get back to her.

Rawlinson eventually divorces his wife and weds Monica. Sir Strong and Lady Strong initially oppose Monica’s marriage to a man she was having an adulterous affair with, but when she announces that she’s pregnant, they are persuaded to accept the union and be happy for Monica and Harry.

But here’s the point of this post: During a scene at a restaurant, where Monica and Harry have just revealed to Lady Strong that they are expecting, in walks Lady Darrington—who, as it happens, is having an affair with Sir Strong (we know, we know) and is, unbeknownst to him, also pregnant.

A woman of her acquaintance approaches Lady Darrington to share Monica and Harry’s news of a coming blessed event, and in sharing this news with her, the woman says something along the lines of, “They don’t yet know whether it’s a girl or a boy.”

And that left us scratching our heads: Monica and Harry have just learned they’re pregnant, and it’s 1933. Of course they don’t know if it’s a boy or a girl, right? We almost expected Lady Darrington to do a double-take and say, “Of course they don’t know if it’s a boy or girl—how could they?”

So why was that line in the picture?

We wondered if perhaps we just weren’t up to speed on the state of obstetrics in the early 1930s, so we checked with our favorite ob-gyn, Dr. Mary Kirk, and asked her if there were, at that time, accurate scientific methods of determining the sex of an unborn child that we were simply unaware of.

“In the 1930s, you would find out the sex in the delivery room,” said Dr. Kirk. “There were all kinds of old wives’ tales, but nothing reliable. Ultrasound was not even very accurate or consistent until the 1970s, and only then much later in a pregnancy.”

In short, Dr. Kirk agreed that the line of dialogue was very odd, indeed. So the mystery of why it was included remains…

Happy 111th Birthday, Joel McCrea!

Joel McCrea, who was born 111 years ago today in South Pasadena, California, is a favorite of ours. Though he eventually settled into a long run of western pictures, he had previously proven to be adept at many other types of roles, too, from screwball and romantic comedies to thrillers and dramas. Here are 10 JM Did-You-Knows:

  • McCrea’s father was an executive with the L.A. Gas & Electric Company; his mother was a Christian Science practitioner. McCrea had a paper route, delivering the Los Angeles Times to D. W. Griffith and other prominent members of the film community.
  • McCrea graduated from Hollywood High School and was a member of the class of ’28 at Pomona College. While in college, he took drama courses and appeared in school productions and also in plays at the Pasadena Playhouse.
  • While in high school, McCrea was already working in the film industry. An adept horseman, he worked as a stunt double and “reins holder” for stars such as William S. Hart and Tom Mix.
  • Just out of college, McCrea signed with MGM, appearing in The Jazz Age (1929) and earning his first lead role in The Silver Horde (1930). In 1930, he signed with RKO and began to establish his reputation as a handsome leading man.
  • McCrea was good friends with Will Rogers, and the Oklahoma cowboy did much to boost McCrea’s career. It was Rogers who encouraged McCrea to put his money into real estate, and that advice made McCrea a millionaire. In fact, he earned more money in real estate than he did as an actor over his 50-year career.
  • Katharine Hepburn, close friends with McCrea and his wife, actress Frances Dee, admired McCrea’s abilities as an actor, ranking him with Humphrey Bogart and Spencer Tracy.
  • McCrea came by his affinity for all things western—roping, riding, ranching—naturally. His grandfather was a stagecoach driver who survived confrontations with Apache Indians.
  • McCrea turned down the lead role in The Postman Aways Rings Twice (1946) that eventually went to John Garfield.
  • McCrea got to meet Wyatt Earp in 1928 and had the chance to portray the western legend in Wichita (1955).
  • McCrea had the opportunity to reunite with his The More, The Merrier (1943) costars, Jean Arthur and Charles Coburn, in The Impatient Years (1944), but declined the role, which would have found him playing a serviceman, saying, “If I’m too old to be called, I was too old for that kind of show.”

Happy birthday, Joel McCrea, wherever you may be!

Joel McCrea

Happy 95th Birthday, Judy Holliday!

The delightful Judy Holliday, born Judith Tuvim in New York City 95 years ago today, appeared in fewer than a dozen pictures and starred or was featured in fewer than that, but her impact on Hollywood was indelible. She remains one of our very favorites.

Here are 10 Judy Holliday Did-You-Knows:

  • Holliday grew up in Sunnyside, Queens and graduated from Julia Richman High School.
  • Holiday was rejected by Yale Drama School out of high school.
  • She went on to work briefly as a switchboard operator in Orson WellesMercury Theater.
  • Early in her career, Judy Holliday was a member of a cabaret group called The Revuers that was founded by Betty Comden and Adolph Green.
  • She made her motion picture debut in a small role in Greenwich Village (1944). After two more bits parts that year, she returned to New York City and the theatre for five years.
  • Prior to its Broadway debut, Holliday replaced Jean Arthur as Billie Dawn in Garson Kanin‘s play Born Yesterday. Though there was talk of casting Rita Hayworth in the movie adaptation of the play, Katharine Hepburn, impressed by Holliday’s work in Adam’s Rib (1949), helped Holliday nab the screen role.
  • Though she was associated with dumb blonde roles, Judy Holliday’s IQ was said to be 172.
  • Holiday was investigated in 1950 (and eventually cleared) by the FBI due to allegations that she was a Communist. In 1952, she was called to testify before the Senate Internal Security Subcommittee regarding those same allegations. She wasn’t blacklisted as a results of the (unfounded) rumors surrounding her, but it is thought her career was negatively impacted.
  • Holliday won the 1957 Tony Award as best actress in a musical for Bells Are Ringing. She went on to play the same role in the 1960 film version opposite Dean Martin.
  • Holliday wrote a number of songs with jazz saxophonist Gerry Mulligan; he wrote the melodies, she wrote the lyrics. They also recorded an album, Holliday with Mulligan, together

Judy Holliday died of cancer three weeks before her 44th birthday, on June 7, 1965.

Happy birthday, Ms. Holliday, wherever you may be; you are sorely missed!

Judy Holliday

Happy Birthday, Katharine Hepburn!

They broke the mold when they made Katharine Hepburn 108 years ago today. She went on to flirt with the century mark, dying at age 96 twelve years ago next month, but doesn’t it seem as if she’s still here among us? It’s that way with the legends of the silver screen, we suppose—at least it feels that way for those of us who remain devoted to them.

Happy birthday, Ms. Hepburn. Here’s hoping you’re giving them heck wherever you may be.

Katharine Hepburn quote

Esther Williams: A Life Aquatic

Esther WilliamsWe were sorry to learn that the always lovely Esther Williams has backstroked off to the deep end of the pool at the age of 91.

So we thought it an apt time to share (once again) with the Cladrite community an interview we did with the divine Ms. Williams some years ago on the occasion of the publication of her memoir, The Million Dollar Mermaid: An Autobiography.

Enjoy! But wait at least an hour after eating before beginning this Q&A.

An Interview with Esther Williams

Cover of Esther Williams' Million Dollar MermaidIn the 1940s and ’50s, Esther Williams was one of the brightest stars in MGM’s galaxy. Her movies, with their memorable Busby Berkeley-choreographed aquatic extravaganzas, remain hugely popular today in revival houses and on cable television.

And now, with the publication of her autobiography, Williams shares candid tales of her life as Hollywood’s “Million Dollar Mermaid.” We chatted with Ms. Williams about a wide range of topics, from her husband Fernando Lamas‘s sometimes philandering ways to cross-dressing in Hollywood. It was a conversation as lively and open as her book, The Million Dollar Mermaid: An Autobiography.

As we read your book, it struck us that you’ve have had a life filled with extreme highs and lows. There have been so many wonderful chapters in your life, but so many sad and tragic events as well.

Fernando Lamas and Esther WilliamsIt’s the idea that you’re smiling underwater—doing the impossible!—and then going home to a life that’s unraveling around you…I was struck with it, too. You know, writing your autobiography is therapy. You get in tune with a lot of things you thought you’d forgotten.

Fernando [Lamas] had asked me years ago not to be in the movies or television or do interviews anymore; as I say in my book, he asked, “Can you stop being Esther Williams?” And I said, “Well, that’s an interesting idea; I’ve been her for a lot of years. Let’s see how I do without her.”

And when Fernando died in 1982, the thing I noticed about the death of a life partner, especially one as difficult as Fernando was—when they go, you’re out of a job! The first person that called me after he died was Shirley Maclaine, who is my friend, and she said, “Well, Esther, you can finally get out of the house.” And I thought, Oh, Shirley, you tell it like it is. I’m so very fond of her.

Katharine HepburnAnd then Barbara Walters called. And I said, “Oh, Barbara, I haven’t been photographed in 20 years!” The one thing that Katharine Hepburn said that really made sense to me is that good thing about the talk shows is that people get to watch you rot. And I said, “I’ve been rotting in private!” And she said, “I’ve seen you at parties and you don’t look like you’re rotting to me. I want you to come and do one of my specials.” I said, “I’m not going to look good next to Jane Fonda or Sally Field.” And she said, “I won’t put you next to Jane Fonda and Sally Field; I’ll put you in the middle segment—we’ll put Mr. T before you and Howard Cosell after you, two of the ugliest men in the world.” And I said, “Oh, then I’ll do the show—of course!” [laughs]

Early in the book you detail a clinical experience with LSD. Later, you reveal that you were the victim of a rape at the hands of a family friend when you were a young woman, that your older brother died a tragic death when he was just in his teens. Was the book a form of catharsis for you?

You know, we seem to acquire, as we age and deal with various diminished capacities, an ability to articulate our feelings. To say, “No, no, you don’t understand. It wasn’t that way; it was this way.” And what happened to me is that, when I would go through the problems of day-to-day living, it was always wonderful to go to the studio and dive into that wonderful water. The water was very healing for me, and it remains so even today. I’m in my 70s. I had a knee replaced not so long ago and was going through physical therapy, and it hurt, you know? They’ve got to bring the muscles along, and it hurts.

So I said to Mark, my physical therapist—he came to my house to work with me, and he didn’t know how to swim—I said, “You’re $60 an hour, Mark. And you hurt. I don’t want to be hurting anymore; I’m going to get in the pool. And I tell you what we’ll do—we’ll call the $60 a push, because that’s what I’ll charge you for your swimming lesson. And I got him swimming, and he loved it.

What an opportunity for him, to receive a swimming lesson from Esther Williams! That’s a rare opportunity.

Artur RubensteinI thought it was worth the $60! Candy Bergen rang my doorbell one day and said, “I want [her daughter] Chloe to learn to swim.” And I said, “If you wanted her to learn to play piano, would you ring Artur Rubenstein‘s door?” And she said, “I don’t care if she plays piano, but she’s got to learn to swim.” And I said, “Yes, that’s true. Because that can save her life. Piano won’t ever save her life.”

Are you pleased—or perhaps surprised—by the rise of women’s athletics? Would you ever have imagined the sort of attention that’s been lavished on the U.S. women’s soccer team or the Olympic basketball players and gymnasts?

And synchronized swimming! It’s an Olympic sport now. Yes, it’s very exciting.
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