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Tag: Jean Harlow
Harlow at 100
We’re not a bit happy about it, but we’re not likely to make it to Los Angeles in time to take in the Harlow at 100 exhibition at the Hollywood Museum, but that’s no reason you shouldn’t endeavor to experience it.
It’s hard to imagine, given the success Jean Harlow experienced and the level of influence she still has, that she lived to be only 26. How many of Hollywood’s most beloved stars would still be remembered today if their careers had come to a tragic end at age 26? Very few, we’re convinced (though one could argue that the legacies of certain actors, e.g. James Dean and Marilyn Monroe, have actually been bolstered by their premature deaths).
Jean was born Harlean Harlow Carpenter, the daughter of a Kansas City dentist and his wife.
Her mother, born Jean Poe Harlow, resented her arranaged marriage to Harlow’s father and requested a divorce, which was granted in 1922. Months later, Jean and Harlean moved to Los Angeles, as Jean (the mother—confusing, no?) had designs on an actingc career, and like many a frustrated parent, she passed (forced) her dreams on to her daughter.
Mother and daughter returned to the Midwest within a couple of years. Harlean was eventually enrolled in the Ferry Hall School (now known as Lake Forest Academy) in Lake Forest, Illinois, where she eventually met Charles “Chuck” McGrew, heir to a family fortune and six years her elder.
The two were married in 1927 and moved to Beverly Hills, as Chuck sought to put some distance between Harlean and the overbearing mother Jean. But it was to no avail. The story goes that when young Harlean drove a pal to the Fox Studios for an audition, she herself was encouraged to audition. After spurning overtures from Central Casting, Harlean’s pal and Mother Jean, who had since moved to L.A., goaded her into registering with Central Casting. She did, under her mother’s maiden name, Jean Harlow, and the rest, as they say, is history.
The exhibition, described by the museum as the world’s largest collection of memorabilia saluting the original “Platinum Blonde” and “Blonde Bombshell,” includes artifacts from seven private collections and includes “private letters, studio contracts, photos, posters, autographs, her childhood family Bible, favorite white fox fur cape and even her luxury car—a 1932 Packard Phaeton.”
May we pause here to reiterate how much it pains us that we’ll likely not find ourselves in Southern California in time to take in this exhbition?
The Hollywood Museum sits right in heart of Tinseltown, at Hollywood and Highland, in the historic Max Factor Building, within walking distance of Hollywood’s oldest restaurant, Musso and Frank Grill; Hollywood’s first pizzeria, Miceli’s; the legendary and still fabulous Grauman’s Chinese Theatre; the Hotel Roosevelt, site of the first presentation of the Academy Awards; and so many other movieland attractions.
The exhibition is scheduled to run thorugh Sept. 5, 2011. If you’re within striking distance of Hollywood and have an affection for Hollywood pictures of the 1930s, you’d be a darned fool to miss it.
What to watch, March 21-27
So, we’ve been considering for some time offering a weekly round-up of the classic pictures we’re inclined to recommend among those being aired in the week ahead on our favorite network (and surely it’s yours, too), Turner Classic Movies.
We’ll stick mostly to the same years in this listing that we generally focus on here at Cladrite Radio—the 20th century up to 1960 or so—but we reserve the right to step outside those boundaries when we’re so inspired. We’ll recommend whatever tickles our fancy that week; some movies we love won’t get cited, and other that we know are special-interest only will. No squawking allowed (well, you can squawk, but it won’t do you any good).
We’ll try to post this every weekend, usually on Sunday. If you think it’s a good idea and you’d like to see this weekly listing continue, let us know by clicking the Like button at the bottom of this post. If we don’t hear from enough of you, we’ll pull the plug, and no hard feelings.
All that said, here are our TCM recommendations for the upcoming week:
Monday
1:45 PM
THE FEMININE TOUCH (1941)
Cast: Rosalind Russell, Don Ameche, Kay Francis. Dir: W.S. Van Dyke II.
A frothy comedy with two of our favorite actresses.
8:00 PM
KINGS ROW (1942)
Cast: Ann Sheridan, Robert Cummings, Ronald Reagan. Dir: Sam Wood.
Can’t go wrong with Ms. Sheridan, and it’s said to be Reagan’s best work. If you’re going to watch just one Ronald Reagan movie, perhaps this should be it.
10:15 PM
CAUGHT (1949)
Cast: James Mason, Barbara Bel Geddes, Robert Ryan. Dir: Max Ophuls.
Ophuls is one of our ten favorite directors of all time, and this is a crackerjack thriller.
2:30 AM
THE SEVEN SAMURAI (1954)
Cast: Toshiro Mifune, Takashi Shimura, Kuninori Kodo. Dir: Akira Kurosawa.
Should be seen on a big screen, of course, but perhaps you have one of those at home.
Tuesday
3:45 PM
A STREETCAR NAMED DESIRE (1951)
Cast: Vivien Leigh, Marlon Brando, Karl Malden. Dir: Elia Kazan.
A classic, but the changes required by the Production Code grate exceedingly if you know the play well.
8:00 PM
WIFE VS. SECRETARY (1936)
Cast: Clark Gable, Myrna Loy, Jean Harlow. Dir: Clarence Brown.
Jean Harlow’s the star of the month in March on TCM, and there’s not a picture among the six listed below that we wouldn’t recommend to you.
9:45 PM
RED DUST (1932)
Cast: Clark Gable, Jean Harlow, Mary Astor. Dir: Victor Fleming.
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Watching the stars come out
We have a grand time when we visit Los Angeles (pronounce it “Angle-eez,” with the hard G, if you please). As movie buffs, we get a kick out of just driving around the various neighborhoods and imagining who once lived in the bungalows we’re passing. Lucille Ball, f’rinstance.
Then there are the more substantial residences that the familiar stars of the Golden Age of Hollywood moved into, once they’d hit it big.
In our several trips to Tinsel Town, we’ve never taken one of the commercial tours of the stars’ homes, but we suspect they tend to focus on the abodes of contemporary stars—Tom Hanks, Julia Roberts, Justin Bieber—at the expense of the former residences of your Humphrey Bogarts, your Bette Davises, your Una Merkels. And who can blame them? It’s always good policy to give the people what they want, and we who are more interested in seeing where and how the stars of yesteryear lived are undeniably in the minority.
There are guidebooks that provide pointers that allow us to catch a glimpse of where Bogart, Davis, and Merkel lived, worked, and played, of course (we’re partial to Richard Alleman’s Hollywood: The Movie Lover’s Guide: The Ultimate Insider Tour of Movie L.A.), but what if one doesn’t have the wherewithal (or accrued vacation days) to to arrange a Southern California sojorn?
In that case, one turns, as one tends to do these days, to the internet—specifically to Image-Archeology.com and their collection of vintage linen postcards that depict the residences of those performers who made our parents, grandparents, and great-grandparents laugh, cry and tap their toes (though not simultaneously).
Mary Pickford and Douglas Fairbanks’ home, Pickfair |
Jean Harlow’s Beverily Hills residence | Claudette Colbert’s hilltop residence in Hollywood |
At this delightful site, one can gaze upon a palatial Hancock Park home while imagining Buster Keaton stepping out to pick up the morning paper, compare contrast two of Groucho Marx‘s Beverly Hills homes, and kill two birds with one stone as you assess the love nest once blissfully shared by a pair of stars who were married once upon a time, Dick Powell and Joan Blondell.
And the list goes on—Myrna Loy, Harold Lloyd, Ginger Rogers, Barbara Stanwyck; one could grow breathless reciting them. All the cards, from A to Z (well, A to Y—Loretta Young is the last star on the list) are in terrific shape and lovingly presented. We encourage all our readers to experience a little California sunshine by spending some time there.
Hail to the Victor!
New York’s Film Forum is presenting a two-week Victor Fleming retrospective that kicks off with a don’t-miss double bill on Friday and Saturday:
RED DUST
(1932) Raunchily hilarious passion in the jungle, as Saigon hooker Jean Harlow battles prim socialite Mary Astor for multi-woman rubber planter Clark Gable.“Harlow [delivers] her zingy wisecracks with a wonderful dirty humor. Directed by Fleming in a racy, action-packed style.” — Pauline Kael
BOMBSHELL
(1933) Jean Harlow’s Lola Burns — the “IF Girl” — supports sponging family, endless entourage and a major Hollywood studio, while fending off romantic con artist Franchot Tone and stop-at-nothing press agent Lee Tracy.“One of the fastest and funniest Hollywood pictures ever made.” — Photoplay
BOMBSHELL, especially, is an absolute gem, and the chance to see it on a big screen with an appreciative audience shouldn’t be missed by anyone within striking distance of NYC.
Here’s the full lineup for the retrospective.