Our Evening with Kitty Carlisle

Did we ever tell you about the time we met Kitty Carlisle? No? Well, let’s rectify that right now.

In 2005, we attended a screening of June Moon at NYC’s Film Forum. It’s a 1931 adaptation of a play written by George S. Kaufman and Ring Lardner that hadn’t been screened since its initial run more than seventy years prior.

To mark the occasion, Anne Kaufman Schneider, Kaufman’s daughter, and James Lardner, Lardner’s grandson, were on hand.

And so was Kaufman-Schneider’s pal, Kitty Carlisle-Hart, who was then just two months away from turning 95. She was, of course, the widow of former Kaufman collaborator Moss Hart.

We thought the world of Hart (still do)—Kitty was one of our favorite New Yorkers, and, since she was seated directly behind us, we decided to turn around and tell her as much.

“Thank you, dear,” she said when we told her it was an honor to be sitting in front of her. “I do hope you’ll try to scrunch down in your seat so I can see the movie.”

We promised to do our best.

A few minutes passed, and we felt a finger tapping on our shoulder. We turned around.

“May I have some of your popcorn,” Ms. Carlisle-Hart asked, pointing at the nearly full bag of popcorn on the floor next to our seat (we were both seated on the aisle).

“By all means—have just as much as you like.”

And she did just that, reaching over and grabbing a handful of corn several times through the course of the picture.

We were thrilled. Someone who once starred opposite the Marx Brothers was sharing our popcorn! And we were impressed, too—we hope, when we’re 95, we’re still up to bending over and snagging some popcorn from a bag on the ground.

We spent most of the movie contorted every which way in order to keep our fat head from blocking Ms. Hart’s view of the screen, and after the final credits, we turned around and asked her if our efforts had been successful.

“I didn’t miss a thing,” she said effusively. “Thank you so much!”

We chatted briefly for a moment or two more, and we screwed up enough courage to ask her if she would consent to our conducting an interview with her one day soon, if we could find a publication interested in running it, and she readily agreed, telling us how we could contact her if and when the time came.

Later, we spoke to Ms. Kaufman-Schneider, thanking her for the Q&A she had participated in after the movie. She was great—whip-smart, opinionated (she hated the movie, and wasn’t afraid to say so), frank, and witty.

She asked me if we weren’t the young fellow whose popcorn Kitty had been filching; we admitted that we were.

“I don’t know what to do with her,” she said with a twinkle in her eye. “She said to me, ‘I’m hungry, and this nice young man has some popcorn,’ and I couldn’t talk her out of it.”

We assured her that we had been pleased to share our snack and thanked her again.

We never managed to conduct that interview with Kitty; she passed away just short of two years later and we somehow didn’t manage to get our ducks in a row in time. But we’ll always treasure the memory of our encounter with her.

And we figure that, if there’s an afterlife (and we’re inclined to think there is), we’ll have someone to show us around a bit. Surely she won’t mind introducing us to the Marx Brothers, for starters, and to our favorite What’s My Line panelist, Arlene Francis. Kitty, of course, was a regular panelist on To Tell the Truth, but she was a guest panelist on What’s My Line more than once, and we’d bet our bottom dollar that she and Arlene got along like two peas in a pod.

We figure it’s the least she can do. After all, we shared our popcorn with her, right?

Harpo Speaks

We’ve written in this space before of our longstanding love for the Marx Brothers, and it’s been our experience that, when you’ve been a Marxist long enough and have read virtually every published word there is to be read about them, one is not easily stirred by new “revelations” or unseen footage.

But we got very excited indeed when, in an email correspondence with Bill Marx, Harpo’s eldest son, some months back, he assigned us our own Marxian nickname (Bretto, if you must know)—and of his own volition, too.

And we found it not a little thrilling, too, when we came across the clip below (we’re not sure how it eluded our notice until now—it went live on YouTube in 2006, for pete’s sake). It’s the only footage we’ve seen (and heard) of Bill’s father, Harpo, speaking.

We knew Harpo could talk, of course, but we’d just never seen him do it (we heard an audio clip once that purportedly featured him uttering a few words, but with no visuals, who could be sure?).

Rest assured, there are visuals with this clip: You’ll know only hear Harpo speak, you’ll see it. He only says a few words, and they’re right at the beginning of the clip (that’s Harpo on the left, by the way, just in case you didn’t recognize out of costume).

Enjoy!

Goodbye to another glorious gal: Gloria Stuart

We just learned of the passing yesterday of the wonderful Gloria Stuart. Stuart, who turned 100 on July 5 of this year, lived a nice, long life, of course, but we’re feeling blue nonetheless.

As some regular readers will recall, we were fortunate enough to interview Ms. Stuart eleven years ago on the occasion of the publication of her memoir, I Just Kept Hoping [you can read the interview here], and we found her utterly delightful. She was, at age 89, as witty and as sharp as one could hope to be at that age. She was also charming and engaging and not a little flirty, and we have harbored a little crush on her ever since.

Ms. Stuart had an impressive, if brief, Hollywood career in the 1930s, acting opposite the likes of Claude Rains, James Cagney, Nancy Carroll, Walter Pidgeon, Lee Tracy, Pat O’Brien, Melvyn Douglas, Dick Powell and many others, and she was friends with many other luminaries, Humphrey Bogart and the Marx Brothers among them. And we were pleased to learn that she had gotten a kick out of the career resurgence she experienced late in life.

Screen Play magazine once named Ms. Stuart one of the 10 most beautiful women in Hollywood, and we think that honor still holds today, even all those beautiful women later. But as Aljean Harmetz and Robert Berkvist wrote in an obituary that appeared in The New York Times, Stuart was “more than a pretty face. She was a founding member of the Screen Actors Guild and helped found the Hollywood Anti-Nazi League, an early antifascist organization.”

She also undertook a career as an artist, teaching herself to paint. Her first one-woman show was at NYC’s Hammer Galleries in 1961. Beginning in the 1980s, she began a new career at a printer, designing hand-printed artists’ books, even organizing her own imprint, Imprenta Glorias.

What a gal.

We’ll remain ever grateful for our brief encounters with Ms. Stuart, and we sincerely hope and pray that she will rest in peace.