Here are 10 things you should know about Charles Butterworth, born 124 years ago today. He’s among the character actors of the 1930s and ’40s who made movie comedies that much funnier.
Charles Butterworth was born 120 years today in South Bend, Indiana. He’s in the rarefied company of greats like Roland Young, Charles Ruggles and Edward Everett Horton when it comes to making 1930s comedies just that much funnier. Here are ten CB Did-You-Knows:
- Butterworth earned a law degree from the University of Notre Dame, but never practiced, instead entering the journalism field.
- He worked as a journalist for the Chicago American. During those years, he established friendships with Heywood Hale Broun and humorist Frank Sullivan, who was instrumental in Butterworth getting radio work.
- When Butterworth first arrived in New York, he worked for the New York Times as a circulation department canvasser.
- Butterworth also worked as a secretary to author J. P. McEvoy, who was at the time writing the book for a musical called Americana. This gave Butterworth an entrée into the world of theater. He would go on to appear in several Broadway musicals of the 1920s, among them Allez Oop, Good Boy, Sweet Adeline and Flying Colors.
- His first credited film appearance (following a couple of brief, uncredited appearances) was in The Life of the Party (1930).
- Butterworth was known to be adept with humorous ad libs, so much so that some of the screenwriters he worked with in Hollywood came to rely on his ability to fill out an underwritten part with pithy lines of his own making.
- Butterworth was very close friends with fellow humorist Robert Benchley. Benchley is sometimes credited with the line quoted in today’s quote graphic, but he said Butterworth, who spoke the line in Every Day’s a Holiday (1937), but is said to have orginally ad-libbed the quip after falling into a pool at a party.
- Butterworth’s familiar screen character is said to have been the inspiration for cereal mascot Cap’n Crunch.
- He died in 1946 in a single-car automobile accident on Sunset Boulevard. It’s been suggested in some corners that his death was not accidental, that he was despondent over the passing of his pal Benchley some months earlier, but that’s not ever been proven.
- At the time of his death, Butterworth was engaged to actress Natalie Schafer, who would later be cast as Mrs. Thurston Howell III on the television sitcom Gilligan’s Island.
Happy birthday, Charles Butterworth, wherever you may be!
Our friend Kevin Fitzpatrick, chronicler of all thing Dorothy Parker, has a new book out that we think will be of great interest to many of our readers. The Algonquin Round Table New York: A Historical Guide allows the reader to “explore the shadowy speakeasies, majestic hotels, glittering theaters, and other locations frequented by the legends of the Algonquin Round Table.”
We’re pleased as punch to have this guest blog from Kevin. We think his new book is terrific and we’re confident you’ll find it an entertaining and engaging read.
When I was compiling the material for my new book, The Algonquin Round Table New York: A Historical Guide, I was struck by the group’s versatility. I’d originally believed the group, which met from 1919 to about 1927, was the realm of newspaper and magazine writers. However, by researching the biographies of all thirty members, it became clear the group had their fingers in every form of mass entertainment and media.
It turns out that there were members with careers that stretched from silent pictures to live television, such as actresses Margalo Gillmore and Peggy Wood. Robert Benchley made the first all-talking short, The Treasurer’s Report, released in March 1928 by Fox. Marc Connelly and Dorothy Parker both wrote captions and scenarios for the silents, then later jumped into writing plays and talkies.
But if there is one format that most of the members drew paychecks from after the Round Table ended, that’s radio. Many members of the group appeared as guests, commentators, writers, or actors. Benchley and Parker had their short stories adapted for dramatizations. Harpo Marx whistled his answers on-air. Others made the transition from newspapers to microphones, trading on their popularity as writers.
The book has more than 100 locations around the New York area tied to the lives of the “Vicious Circle” that met at the Algonquin Hotel on West Forty-fourth Street. Here are three spots from their radio days, all within walking distance of the Round Table.
NBC, 30 Rockefeller Plaza
Franklin P. Adams was a veteran newspaper columnist with 35 years’ experience when his services were no longer needed. Radio saved him, and a quiz show was the last hurrah of his brilliant career. In 1937, the Herald Tribune didn’t renew his contract. With an encyclopedic knowledge of literature and trivia and a family of five to support during the height of the Great Depression, the offer to be a regular panelist on a radio quiz show came as a blessing.
The format of Information Please was simple but brilliant. Listeners mailed in questions. If the question stumped a panel of experts, the listener won a small cash prize. The show was unrehearsed and conducted before a live studio audience. The 30-minute program moved like lightning, and experts and guests had to answer quickly. On May 17, 1938, Information Please debuted on the NBC Blue Network (later ABC). Clifton Fadiman, a literary critic who wrote for The New Yorker, was master of ceremonies. The show was an overnight success, and more than 25,000 questions poured into the studios.
One question put to F.P.A. in 1938 was to finish the Joe Miller gag, “Who was that lady I saw you with last night?” To which he replied, “There are two answers: That was no lady, that was my wife. And the other is that was no lady, that was your wife.” The show continued for ten years, mostly on NBC. Over time, just about every Round Table member appeared as a guest.
NBC has always been associated with Rockefeller Center. John D. Rockefeller Jr., son of the founder of Standard Oil, owned the land and helped create the landmark. The area bounded by Fifth and Sixth avenues from 48th to 51st streets contained numerous speakeasies before demolition in 1930. NBC has called 30 Rockefeller Plaza home since the building was completed in 1933, spanning corporate ownership from General Electric to Comcast. More than a dozen buildings form the complex today, with “30 Rock” as centerpiece. Radio studios were the original tenants (hence Radio City) and now television studios. The Art Deco buildings are landmarks inside and out.
CBS, Carnegie Hall, 881 Seventh Avenue
When radio networks became national broadcasters in the late 1920s, some of the live programming was classical music. Symphonies and orchestras dominated as networks tried to reach upper class listeners. William S. Paley signed the New York Philharmonic to CBS in a major coup and gave the network enormous prestige.
Beginning in 1936, Deems Taylor served as commentator during intermissions. Already a star composer and conductor, he had been a newspaper music critic but never a broadcaster. His role at CBS was an enormous success, and Taylor found himself giving weekly music lecturers to a huge audience during Sunday afternoon concerts in Carnegie Hall. He helped listeners understand what they were hearing and helped a generation appreciate classical music. Taylor also introduced listener questions, interviewed orchestra members during intermissions, and brought the whole experience of classical music into the nation’s living rooms. A broadcaster for more than ten years, Taylor became the country’s best-known authority on music.
The building was saved from a wrecking ball in 1960 and underwent multi-million dollar renovations in recent years. Today the Isaac Stern auditorium, the main performance hall, seats 2,800.
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