Hollywood Undressed, Chapter Eleven

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The eleventh chapter from Hollywood Undressed, a 1931 memoir attributed to the assistant of masseuse and health guru Sylvia Ulback, a.k.a. Sylvia of Hollywood (but actually ghost-written for Sylvia by newspaper reporter and screenwriter James Whittaker), tells of a close call experienced in treating actress Norma Shearer.

FAT CHANCE

GLORIA runs quite an establishment—butlers, footmen, and the rest. Down on the Pathé lot she rolled up her sleeves and did her day labor like an old trouper. But at home she was La Marquise de la Falaise et de la Coudraye, and had the big soft rugs, uniformed servants, and all the dog to prove it.

The house staff gave Sylvia the works, which is to say that she passed through about ten pairs of hands, to land finally in an upstairs den. There time passed in great chunks without any sign of Gloria Swanson. The boss was dead tired and had to pinch herself to keep awake. Whereupon a footman ambled in with a clinking tray, and she tried just one for luck and was sunk.

She had no idea what time it was when, presently, someone shook her out of a sound sleep and said: “Here I am—all ready for you.”

It was Gloria in her nightie. A clear case of overwrought nerves, with the inevitable results of facial lines and general puffiness. The treatment for that is delicate. If you start in pounding and pummeling at the start, the subject’s nerves get worse and worse, and the result you’re likely to get is the kind of weight reduction that is ruin—a stringy, jumpy body and a cavernous, drawn look about the face.

In the first few minutes Gloria admitted that the new sound-movie racket had her half-crazy. It took the boss two hours of gentle, soothing rubbing to get the overexcited star to sleep. Meanwhile she was that the job would take time; that, for a start, she’d have to reconcile herself to getting maybe a little fatter than she was; that the real work on her hips, chin and arms would have to wait. Gloria saw the point and said:

“Then I’ll have to have you all the time. You’ve got to give up your other people and work for me alone.”

Right away the boss remembered how that hook-up had worked out with Mae Murray—and even with Mary Duncan. It meant having to build up her clientele all over again when the contract died.

The offer from Gloria was flattering enough. But the boss had got past the point where the name of a movie star, whispered, was enough to jerk her out of a sound sleep. She was able to keep her head when Swanson made her offer, because, for one thing, the savings account was doing nicely, and, for another, she had just taken on Norma Shearer, whom she had been angling to get for months.

Hedda Hopper steered Norma Shearer into Sylvia’s hands. At that, the boss nearly lost the M.-G.-M. star after the first treatment, which was given in Shearer’s home. Norma had been playing a lot of tennis, and had got stringy and muscular and jumpy, the way women always do when they go crazy about any sport. The first thing to do was to calm her down and get her to sleeping regularly as a preliminary to softening her. So the boss rubbed her for nearly two hours and left her sleeping like a child. The next morning we got a phone call from Hedda Hopper, who said:

“I don’t know what you did to Norma Shearer, Sylvia, but my name is mud in the movies if you’ve ruined her.”

Hollywood Undressed, Chapter Six

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The sixth chapter from Hollywood Undressed, a 1931 memoir attributed to the assistant of masseuse and health guru Sylvia Ulback, a.k.a. Sylvia of Hollywood (but actually ghost-written for Sylvia by newspaper reporter and screenwriter James Whittaker), includes anecdotes of such star clients as Ramon Novarro, Ernest Torrence, Jack Holt, Neil Hamilton and Lawrence Tibbett.

NARSISSIES

RAMON NOVARRO was a little stiff.

Why shouldn’t he be? He sleeps in a coffin.

That’s a fact. Ramon’s bedroom in the immense house he occupies with an old grandee of a Spanish father, his mother, and ten—count ’em—ten brothers—Ramon’s bedroom is a replica of the burial crypt of some saint in the Vatican City in Rome. The bed itself, high, narrow, and set on a pedestal, is a sarcophagus, under a purple canopy crowned with a wreath of thorns. A funny idea, this. All I can say is that Ramon seems to want to hurry his Cecil B. De Millennium.

Sylvia says that the daily massage she gave Ramon at 7 A.M.—waking him out of his embalmed slumbers with the laying on of her hands—always felt spooky. It was too uncomfortably like a miracle.

The boss promoted the job with Novarro herself, one day when she had finished touching up Elsie Janis and gone down into the Janis back yard to see what was going on in the swimming pool. Quite a bunch of actors were splashing about, showing off; and as Sylvia came along Ramon Novarro dived in and came up floating on his back. Right away the boss’s eagle eye noted something that promised a new customer and she thought up a salemanship scheme.

“Can you float like that indefinitely” she asked Novarro.

“As long as I want,” he modestly asserted.

“While you smoke a cigarette?”

He lit up and puffed away, and was good for ten minutes, stomach up, under a broiling California sun. Sure enough, when he puffed the last puff and called Sylvia to witness that he had accomplished the feat, the nice round central part of him was dried by the sun, making a cute little dry island in the middle of his bathing suit where it had been raised above water level by an undeniable protuberance.

Neat, what? All Sylvia had to do was kid him about the watermark and he had to say the expected thing and invite her to undertake the removal of the island.

“How could I help it?” he alibied. “I’m just back from a trip to Germany—and who can resist Münchener beer?”

ERNEST TORRENCE is a contrast to the soft and delicate Ramon Novarro, but not such a tremendous one as you’d think. What I mean is, all the boys get girlish and skittish when they have to take a professional interest in their looks, and Big Ernest is no exception.

Like all those oversize fellows, Ernest has a small, firm-minded wife who bosses him around as if he were a young St. Bernard. Elsie Torrence had been taking treatments from Sylvia, and she reported that her husband was threatened with nervous breakdown and ought to let Sylvia treat him.

“But he’s so shy,” Mrs. Torrence said, “and he just has fits when I suggest that he call in a female masseuse.” She set her jaw and added: “I’ll bring him round, though.”

Hollywood Undressed, Chapter Two

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The second chapter from Hollywood Undressed, a 1931 memoir attributed to the assistant of masseuse and health guru Sylvia Ulback, a.k.a. Sylvia of Hollywood, tells the story of how actress Marie Dressler became Sylvia’s first client from the motion picture industry. The book was actually ghost-written for Sylvia herself by newspaper reporter and screenwriter James Whittaker.

OUR FIRST LADY STRIPS FOR ACTION

MARIE DRESSLER is the one woman whose name is in the date book as far back as 1925, who doesn’t give me a pain. I guess everyone likes her. Even these cats that come in here with gastritis every time somebody else makes a hit in a picture can stand the idea that Marie Dressler is knocking them dead with every release. Maybe it’s because Marie is nobody’s rival for a beauty prize. What really burns them up is having new cutie breeze into town hunting for a lap to climb on. Nobody got alarmed when Miss Dressler began squeezing through the doors of casting offices. And now it’s too late to do anything about it.

The nightly prayer of the Hollywood female is: “Please, Lord, don’t send us any more lookers.” Heaven heard them once, and sent Marie Dressler.

Sylvia was giving Dressler her daily tumble before Hollywood ever did. Back in 1925, in “The Callahans and the Murphys,” Dressler was just one of the supporting crowd—an aunt or something. Nevertheless, she was Sylvia’s first movie client and her entering wedge into the film colony.

Yes, if Marie Dressler hadn’t been loaded up with fourteen quarts of near-beer a day back in 1925, Sylvia might have gone back to Chicago. And me? I suppose I’d still be holding the towel for that dentist who couldn’t pay my wages. But for Marie Dressler, Sylvia might never have hung on in Hollywood.

The boss told me about that first call to Marie Dressler’s suite in the Ambassador Hotel. You see, in those days, being just a squareheaded immigrant, Sylvia knew no more about the Hollywood film world than you can find out walking down Vine Street at lunch hour, and reading the press blurbs. And what you see from that angle is all front—the big Hollywood front. It took her a couple of years to work around to the other side of Hollywood.

The call to attend Marie Dressler came quite unexpectedly. I don’t need to say I wasn’t yet on the scene. An unknown masseuse doesn’t need a secretary to handle the appointment book and the collections. One of her patients was a Chicago woman visiting Los Angeles and staying in the Hotel Ambassador. This same woman was getting treatment by the hotel doctor, who was an A-No.1 M. D. and was on the level. So when Marie Dressler called the doc to her suite in the same hotel and showed him the symptoms of gastritis, the doc recommended Sylvia.

And so Mae Murray and Alice White and Bebe Daniels and Mary Duncan and Ramon Novarro and Ronald Colman and Norma Shearer and Ruth Chatterton and Ann Harding and Norma Talmadge and Grace Moore and Connie Bennett and Gloria Swanson followed in rapid succession, and today Sylvia stands at the top of her profession and has an electric refrigerator and a hired girl in the kitchen.

Well, meanwhile, before going up to the Dressler suite, Sylvia stopped in to thank the hotel doctor for the boost. And she got to telling him how this was like a dream coming true—

“Because I worked a year in Chicago to save up enough money to come out to Hollywood,” she told him. “I doped it out, doctor, that the one thing they want out here is to hang on to their good looks, which they can’t do without some professional help. Now, this Marie Dressler—tell me confidentially, doctor. She isn’t so sick, as she’s afraid she’s lost her shape or her complexion. Isn’t that it?”

You see, Dressler was just a name to the boss, who hadn’t been spending much money or time on the movies. The doctor got wise that Sylvia thought she was to go to work on the alabaster surface of a piece of living Hollywood statuary. He let it ride.

“The poor girl’s a little overweight,” is all he said—with a poker face.

“Any bets I can’t take it off? said Sylvia.

“I’m not a betting man,” he replied.

So Sylvia went on up to suite A3 to get her first peek at Hollywood beauty languishing luxuriously in its lair.