Dashiell Hammett: Getting Witty With It

The Nov 1924 edition of Black Mask magazine, containing The Golden Horseshoe by Dashiell HammettWe generally prefer Raymond Chandler to Dashiell Hammett, as much for Chandler’s wit as anything else, but we’ve been reading some of Hammett’s early Continental Op short stories of late and very much enjoying them, especially a passage from a novelette called The Golden Horseshoe that ran in Black Mask magazine in November 1924.

In this scene, Hammett’s short but rotund detective is in Tijuana tracking down a dissolute poet who is on the lam. The Op has just entered the bar that gives the story its name when the reader is treated to the following first-person passage:

I walked down the room and sat at a table in one of the stalls. A lanky girl who had done something to her hair that made it purple was camped beside me before I had settled in my seat.

“Buy me a little drink?” she asked.

The face she made at me was probably meant for a smile. Whatever it was, it beat me. I was afraid she’d do it again, so I surrendered.

We don’t mind admitting that made us laugh out loud, something we’ve not often done when reading Hammett. Nicely played, sir. Nicely played, indeed.

A Frothier, Funnier ‘Farewell, My Lovely’

The Falcon Takes Over, based on Farewell, My LovelyAs we advised you to do, we recorded the first eleven entries in RKO’s “The Falcon” series of mysteries on TCM the other day, and by last night, we’d worked our way up to watching the third one, The Falcon Takes Over.

The Falcon movies aren’t great, but they have a certain frothy charm, the repartee’s enjoyable enough, and at least some of them feature both Allen Jenkins and James Gleason in supporting roles, and that’s a combination that’s hard to beat.

We were especially looking forward to this picture because it’s based on Raymond Chandler‘s Farewell, My Lovely. In this version, it’s George Sanders as The Falcon, not Philip Marlowe, who solves the crime, but it was fun to see a familiar story played out in a different style, a different city (NYC rather than Los Angeles) and with a different set of characters.

One recognizes the source material right away, as just two minutes in, Moose Malloy has already made an appearance, and his name is…Moose Malloy. And the lost love he’s trying to track down is named Velma.

In fact, the filmmakers didn’t bother to change many of the characters’ names: Jessie Florian, Jules Amthor, Ann Riordan and Laird Burnett are all present and accounted for.

The Falcon Takes Over doesn’t stack up to Murder, My Sweet (1944) or Farewell, My Lovely (1975); it’s an entirely different kind of picture. But it is just smidge darker than the typical Falcon picture, and we found that suited us just fine.

Farewell, My Lovely: A Classic Reissued

Farewell, My Lovely posterFarewell, My Lovely (1975) is a neo-noir adaptation of Raymond Chandler‘s novel of the same name. Robert Mitchum, though a bit long in the tooth for the role, plays Philip Marlowe to a T, and the picture perfectly captures the mood of the era–and the cinematic genre–it portrays.

We were working as an usher at the North Park 4 Cinema when this movie came out, and watched it with delight in dribs and drabs—a scene here, a scene there, whenever we could elude the disapproving gaze of our manager. It was our introduction to Chandler’s work, and we could hardly have asked for a better one (except, y’know, Chandler’s work).

Part of what makes the picture work is the haunting “Marlowe’s Theme” that plays over the opening credits and reappears at various times throughout the picture. We’d like to live in the world that this music evokes.

The picture also features such stellar supporting players as Charlotte Rampling (channeling Lauren Bacall), Jack O’Halloran (as Moose Malloy), Harry Dean Stanton, Sylvia Miles (she was nominated for a Best Supporting Actress Oscar for her role as an over-the-hill chorus girl), John Ireland, Sylvester Stallone (in a don’t-blink cameo as a hood) and even acclaimed noir author Jim Thompson in a small role.

Farewell, My Lovely has been unavailable on DVD in the U.S. for a good many years, but we were pleased to learn recently that Shout! Factory is releasing it again in mid-November (you can preorder it now). One might wish this beautiful picture were going to be made available in Blu-ray format (we do wish that very thing, as a matter of fact), but even a DVD reissue is cause for celebration.

There is an excellent 1944 adaptation of Chandler’s second novel—renamed Murder, My Sweet, it stars Dick Powell as Marlowe, along with noir icon Claire Trevor, Mike Mazurki, Otto Kruger, Anne Shirley, and Esther Howard—that is newly available on Blu-Ray, and it’s worth your time, too. In fact, it’s widely considered a classic. Frankly, you can’t go wrong with either of these movies; we recommend owning both.

In Their Own Words: Happy Birthday, Dick Powell!

Few Hollywood stars have ever remade themselves quite so successfully as Dick Powell, whose 110th birthday is today. He began his career as a buoyant boy singer, first on record and then in movie musicals, before, beginning with his turn as Philip Marlowe in Murder, My Sweet (1944), turning to tough guy roles in a series of films noir.

As evidenced by his quote below, Powell went on to became a successful director and producer. And to top it all off, he was married to Joan Blondell! (June Allyson, too.) Quite a versatile and varied life and career did our Mr. Powell enjoy.

Happy birthday, Mr. Powell, wherever you may be.

Tempted by a “Kept Girl”

You know how when you’re in the middle of one book that you’re enjoying well enough, but then you buy another book dirt cheap for the Kindle, and you read one chapter of it, just to get a taste of it, and it makes you want to put aside the book you’re reading, but you’ve already done that once with this book and there’s no way you want to have to start all over with it again?

That happened to us.

The Kept Girl by Kim Cooper, an L.A. historian and author, is a mystery novel set in 1929, the protagonist of which is the mystery author Raymond Chandler, back before he was an author, when he was a young(ish) executive for an oil company. The book involves other historical figures and actual events and the first chapter was engaging enough to make us want to keep reading. But we’ll stick it out with the entertaining-in-its-own-right-but-still… Carter Beats the Devil, dang it, as much as we’re tempted to switch.