Meet me tonight in Atlantic City

We are avidly awaiting the new HBO series Boardwalk Empire, due this fall, and we don’t care who knows it.

Terence Winter, Emmy award-winning writer of The Sopranos and Martin Scorsese teamed to create the series, which is based on Nelson Johnson’s book Boardwalk Empire: The Birth, High Times, and Corruption of Atlantic City and depicts the seamy underbelly (hey, we’ll use the phrase “seamy underbelly” every chance we get) of prohibition-era Atlantic City.

It’s a don’t-miss, as far as we’re concerned. See what you think of these two previews:

Coming soon to this theatre

We have long counted memorable, artistic movie posters among the attributes of the movie-going experience that have declined over recent decades. Most of the cheesily Photoshopped efforts of today simply do not, for our money, stack up.

Apparently, Martin Scorsese agrees. He writes, in the foreword to Ira Resnick’s new coffee-table book Starstruck: Vintage Movie Posters from Classic Hollywood:

For me, and anyone who grew up before a certain time — sometime in the 1980s, I’d say — posters were a key part of the moviegoing experience. You’d walk through the lobby, and you’d look at the poster, usually accompanied by lobby cards and often by stills and promotional language, of the film you were about to see, and the one that was coming next. You’d hold and absorb the image in your mind’s eye. Part of the excitement then was in watching the actual film and comparing it with the possible or likely film you’d conjured up during the few seconds you’d looked at the poster.

The poster was meant to embody the film, but you always knew it was somehow outside the film, too. It had to give you some sense of the picture, but it also carried its own mystery and romance….

GQ magazine is currently featuring a slide show comprising ten of Scorsese’s favorite classic movie posters on its web site. It’s well worth your time.