Any movie buff in the tri-state area with even the slightest interest in classic Japanese cinema should plan on spending a good deal of time on Houston Street the the next three weeks.
Beginning Friday, April 1, Film Forum will be presenting a don’t-miss opportunity to immerse oneself in pictures made by the greatest Japanese film directors of the 1930s, ’40s, ’50s, and ’60s and starring five of Japan’s most acclaimed actresses: Kinuyo Tanaka, Isuzu Yamada, Machiko Kyo, Setsuko Hara, and Hideko Takamine.
This quintet of amazing actresses are being feted by Film Forum with a retrospective that features films by such giants as Akira Kurosawa, Yasujiro Ozu, Kenji Mizoguchi, Keisuke Kinoshita, and Mikio Naruse.
The festival’s highlights are too numerous to cite, but we are especially fond of Takamine’s work, and she was best known for her work with the great Naruse, who, along with Kurosawa, ranks as our favorite Japanese director, but honestly, you could make your way to Film Forum on a daily basis throughout the retrospective and experience no regrets.
But if you can make only a few bills, we recommend the Naruse double-bill of Yearning (1964, Takamine) and Repast (1951, Hara) on Tuesday, April 5; Naruse’s Okaasan (Mother, 1952, Tanaka), the double bill on Saturday, April 9, of Kurosawa’s Rashomon (1950, Kyo) and Mizoguchi’s Ugetsu (1953, Tanaka); Ozu’s Tokyo Story on Sunday, April 10, and Monday, April 11 (1953, Hara); Naruse’s Flowing (1956, Yamada, Takamine, Tanaka) on Tuesday, April 12; and … well, honestly, it’s a pointless exercise to try to recommend particular highlights. The entire retrospective is worth experiencing.
Clear your schedule, buy a Film Forum membership (you’ll save on admission), and save us a seat on the aisle, please.