Here are 10 things you should know about Paul Whiteman, born 129 years ago today. Known as the King of Jazz during his heyday, Whiteman isn’t afforded that level of respect by many today, but his influence is undeniable. His music may have leaned to the pop side, but in that era, jazz was dance music, so it was pop, in a sense, and Whiteman helped to bring the new sounds to a wider audience.
Here are 10 things you should know about Benny Goodman, born on May 30, 1909. One of the icons of the swing era, Goodman still inspires folks around the world to cut a rug whenever they hear one of his recordings.
We’re featuring toe-tapping tunes from the King of Swing all day today on Cladrite Radio, so be sure to tune in.
Today marks the 126th birthday of orchestra leader Paul Whiteman. Known as the King of Jazz during his heyday, Whiteman isn’t afforded that level of respect by many in the jazz community today, but his influence is undeniable. His music may have leaned to the pop side a little bit, but in that era, jazz was dance music. It was pop, in a sense, and Whiteman helped to bring the new sounds to a wider audience.
What’s more, the list of immortals who played or sang with Whiteman during his career is a lengthy one, among them Bing Crosby (who during his time with Whiteman was one of the hippest of vocalists), Bix Beiderbecke, Frankie Trumbauer, Joe Venuti, Eddie Lang, Jack Teagarden, Bunny Berigan, and Ramona Davies (she of the Grand Piano)—names that are very familiar to anyone who listens to Cladrite Radio reguarly.
Whiteman also commissioned George Gershwin to write Rhapsody in Blue, and that influential work’s 1924 debut was performed by an expanded version of Whiteman’s orchestra, with Gershwin himself at the piano.
Whiteman also performed in motion pictures, and it was announced earlier today that the restoration of his own starring vehicle, King of Jazz (1930), is now complete. It will be unveiled in screenings in various spots around the country beginning in May.
No less an authority than Duke Ellington once declared, “Paul Whiteman was known as the King of Jazz, and no one as yet has come near carrying that title with more certainty and dignity,” and that’s good enough for us.
Happy birthday, Pops. We can’t wait to see a pristine new print of your movie in May!
Sadly, there aren’t terribly many performers still with us who enjoyed success during the Cladrite Era—all the more reason, then, to celebrate songbird Kitty Kallen‘s 93rd birthday.
Kallen, born Katherine Kalinsky in 1922 in Philadelphia, sang on the radio as a child on a program called The Children’s Hour, which was sponsored by Horn and Hardart, the Automat people, and as a teenager, she had occasions to sing with the big bands of Jan Savitt (in 1936), Artie Shaw (in 1938), and Jack Teagarden (in 1940).
At 21, she replaced Helen O’Connell as the singer for the Jimmy Dorsey Orchestra, primarily performing duets with Bob Eberly. After Eberly entered military service in 1943, Kallen joined the Harry James Orchestra, with whom she sang on several hit songs, including two—“I’m Beginning To See the Light” and “It’s Been a Long, Long Time”—that reached #1 on the charts.
But Kallen’s career didn’t end when the big band era did. Her 1954 hit, “Little Things Mean a Lot,” was number one in the U.S. for nine weeks and remained on chart for nearly seven months, selling more than two million copies in the process. She had many more hits throughout the 1950s and early ’60s
She also appeared frequently on television, on Broadway in Finian’s Rainbow, in many of the world’s top nightclubs and in at least one motion picture. On her final album, Quiet Nights, she sang in the bossa nova style. A lung ailment would eventually force her retirement, but Ms. Kallen is still with us and we sincerely hope she enjoys a wonderful birthday today.