Flirting with the Past

Last night we watched The Lady Objects (1938), a strange and kind of silly drama/musical (drusical?) that finds Gloria Stuart, adorable as ever, playing a hotshot lawyer whose husband (Lanny Ross), a former All-American halfback, a world-class tenor and a hopeful young architect (quite the trifecta, that), resents her success and the demands it places on her time.

A movie poster of THE LADY OBJECTS, 1938

As we said, kind of silly, but entertaining enough, since we get a special kick out of watching any picture that features Ms. Stuart. We were pleased to do a telephone interview with her some years ago when her memoir was published, and we’ll admit to being not a little proud that when we got to meet her in person a few weeks later at her book party in NYC, she flirted with us just the slightest bit. Nothing overt, nothing untoward, but in a room filled almost entirely with the young women of the publishing industry, we stood out, it seems—a young(ish—we were 41 at the time) man who was thrilled to dote on Ms. Stuart, bringing her food and drink, asking her questions about her movie career back in the 1930s and generally behaving in starstruck fashion.

So whenever we see her looking so fetching on the screen, we can’t help but think, That gorgeous movie star once flirted with us, an actress who might have once flirted with Humphrey Bogart, The Marx Brothers, James Cagney, Lee Tracy, Melvyn Douglas, Boris Karloff, Ralph Bellamy, Pat O’Brien, Eddie Cantor, John Boles, Claude Rains, Lionel Atwell, Frank Morgan, Brian Donlevy, Warner Baxter, Dick Powell, Frank McHugh, Don Ameche, Lyle Talbot, George Sanders, Walter Pidgeon, Jack Oakie, and Richard Dix. In any case, she appeared in pictures with each of them (except Bogart and the Marx Brothers, whom she knew socially).

Yes, our brief encounter with Ms. Stuart came more than a half-century after those hypothetical Hollywood flirtations—she was 89 at the time—but if she batted her eyelashes at even one-tenth of her aforementioned costars back in the day, we’d have to say we’re in pretty good company!

TCM Remembers 2010

Every passing year brings the sad loss of prominent and often beloved figures in movie history.

2010 was no different, of course, and, among those lost, there were talented men and women whose careers began in the Cladrite era: Gloria Stuart, Tony Curtis, Patricia Neal, “Baby” Marie Osborne, Lena Horne, Doris Eaton and others.

As they do every year, the good folks at Turner Classic Movies have put together a video tribute to those departed movie professionals who touched our lives during their time with us. It’s nicely done, and well worth a look.


image-Kathryn Grayson

Goodbye to another glorious gal: Gloria Stuart

We just learned of the passing yesterday of the wonderful Gloria Stuart. Stuart, who turned 100 on July 5 of this year, lived a nice, long life, of course, but we’re feeling blue nonetheless.

As some regular readers will recall, we were fortunate enough to interview Ms. Stuart eleven years ago on the occasion of the publication of her memoir, I Just Kept Hoping [you can read the interview here], and we found her utterly delightful. She was, at age 89, as witty and as sharp as one could hope to be at that age. She was also charming and engaging and not a little flirty, and we have harbored a little crush on her ever since.

Ms. Stuart had an impressive, if brief, Hollywood career in the 1930s, acting opposite the likes of Claude Rains, James Cagney, Nancy Carroll, Walter Pidgeon, Lee Tracy, Pat O’Brien, Melvyn Douglas, Dick Powell and many others, and she was friends with many other luminaries, Humphrey Bogart and the Marx Brothers among them. And we were pleased to learn that she had gotten a kick out of the career resurgence she experienced late in life.

Screen Play magazine once named Ms. Stuart one of the 10 most beautiful women in Hollywood, and we think that honor still holds today, even all those beautiful women later. But as Aljean Harmetz and Robert Berkvist wrote in an obituary that appeared in The New York Times, Stuart was “more than a pretty face. She was a founding member of the Screen Actors Guild and helped found the Hollywood Anti-Nazi League, an early antifascist organization.”

She also undertook a career as an artist, teaching herself to paint. Her first one-woman show was at NYC’s Hammer Galleries in 1961. Beginning in the 1980s, she began a new career at a printer, designing hand-printed artists’ books, even organizing her own imprint, Imprenta Glorias.

What a gal.

We’ll remain ever grateful for our brief encounters with Ms. Stuart, and we sincerely hope and pray that she will rest in peace.

    

Celebrating a Century of Gloria Stuart

Gloria StuartWe don’t know how we let it sneak by us, but Monday, July 5, was the 100th birthday of the wonderful Gloria Stuart, best known now for her work in James Cameron‘s Titanic, but a woman who’s led a remarkable life and was a pretty big movie star in the 1930s, to boot.

In 1999, when she was just a kid of 89, we got to interview Gloria on the occasion of the publication of her memoir, I Just Kept Hoping. The interview was conducted over the telephone, though we did get the chance to meet Ms. Stuart when she came to NYC for her book party.

We considered it quite a thrill, we don’t mind telling you, to get to interact with Ms. Stuart. After all, this is the women who starred opposite Claude Rains in James Whale‘s The Invisible Man, who appeared with Boris Karloff, Melvyn Douglas, and Charles Laughton in The Old Dark House, who worked with greats such as Irene Dunne, Ralph Bellamy, Pat O’Brien, Lionel Barrymore, Lee Tracy, Nancy Carroll, Frank Morgan, Paul Lukas, Edward Arnold, Eddie Cantor, Ruth Etting, and dozens more.

So, to mark her centennial (a few days late, alas), we thought we’d share with the Cladrite Radio Clan the interview we did with her in 1999. Enjoy!

It’s been a long, eventful life for former and current movie star Gloria Stuart. She had her first go-around at stardom in the Hollywood heyday of the 1930s and ’40s; then, after taking off 30 years or so to pursue painting, travel, and political activism, she again began to act in the 1970s, eventually garnering a Best Supporting Actress nomination for her role in Titanic. Still going strong today at the age of 89, Stuart has now added authorship to her list of achievements. Her candid memoir, I Just Kept Hoping, is peppered with anecdotes about such memorable figures as Shirley Temple, Groucho Marx, Dorothy Parker, and J. Robert Oppenheimer, the father of the atomic bomb. I spoke to Gloria about her life, her two careers in the movies, and her secrets for living so long and so well.

An Interview with Gloria Stuart

Gloria StuartYou made three films with director James Whale: The Invisible Man, The Old Dark House, and The Kiss Before the Mirror. What can you tell us about him?

I’m very happy I was in those films. You know, James is a cult figure in England. There are a lot of James Whale fan clubs. Actually, right after I had read for Jim Cameron for Titanic, I had booked a month in London. I went right away, and there were two wonderful James Whale organizations that I met with. He’s getting his due now, thanks to Gods and Monsters.

What did you think of Gods and Monsters? Was it, in your view, an accurate portrayal of Whale?

Oh, yes, it was. Ian McKellan captured James’s elegance, the beautiful manners, the beautiful tailoring, the precision, the whole thing. Of course, no one could be James, but he came awfully close.

The special effects in The Invisible Man hold up remarkably well today for a film that was made in 1933.

Yes, people who see it today—it runs every so often—they say, gee, it’s not an old hat movie at all.

I’m wondering—did the processes that went into creating those special effects slow down the pace of moviemaking at all?

It was never evident. Only James and the cameraman and I guess all the process people at Universal—the rest of us never had any inkling of what was going on. We did do a lot of shooting in front of black curtains. Now, I wasn’t on the set when the bandages came off or anything like that, so I have no idea about that. But it was very, very secret. I wasn’t on the set when they were finagling the bandages off, and so forth.

That would’ve been fun to see.

Humphrey Bogart and Mayo MethotYes, it would’ve! Claude [Rains] may have known [how it all worked] but he never said so.

You and your second husband, Arthur Sheekman, were good friends with Humphrey Bogart and Mayo Methot, his wife at the time. What can you tell us about Bogie that we might not know?
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