Here are 10 things you should know about the versatile Mary Astor, born 112 years ago today. Over the course of her 44-year career, Astor appeared in more than 120 films, including 45 silent pictures, and amassed more than 30 television credits.
Did we ever tell you about the time we met Kitty Carlisle? No? Well, let’s rectify that right now.
In 2005, we attended a screening of June Moon at NYC’s Film Forum. It’s a 1931 adaptation of a play written by George S. Kaufman and Ring Lardner that hadn’t been screened since its initial run more than seventy years prior.
And so was Kaufman-Schneider’s pal Kitty Carlisle-Hart, who was then just two months away from turning 95. She was, of course, the widow of former Kaufman collaborator Moss Hart.
We thought the world of Hart (still do)—Kitty was one of our favorite New Yorkers, and, since she was seated directly behind us, we decided to turn around and tell her as much.
“Thank you, dear,” she said when we told her it was an honor to be sitting in front of her. “I do hope you’ll try to scrunch down in your seat so I can see the movie.”
We promised to do our best.
A few minutes passed, and we felt a finger tapping on our shoulder. We turned around.
“May I have some of your popcorn,” Ms. Carlisle-Hart asked, pointing at the nearly full bag of popcorn on the floor next to my seat (we were both seated on the aisle).
“By all means—have just as much as you like.”
We were thrilled. Someone who once starred opposite the Marx Brothers was sharing our popcorn! And impressed, too—we hope, when we’re 95, we’re still up to bending over and snagging some popcorn from a bag on the ground.
We spent most of the movie contorted every which in order to keep our fat head from blocking Ms. Hart’s view of the screen, and after the final credits, we turned around and asked her if our efforts had been successful.
“I didn’t miss a thing,” she said effusively. “Thank you so much!”
We chatted briefly for a moment or two more, and we screwed up enough courage to ask her if she would consent to our conducting an interview with her one day soon, if we could find a publication interested in running it, and she readily agreed, telling us how we could contact her if and when the time came.
Later, I spoke to Ms. Kaufman-Schneider, thanking her for the Q&A she had participated in after the movie. She was great—whip-smart, opinionated (she hated the movie, and wasn’t afraid to say so), frank, and witty.
She asked me if we weren’t the young fellow whose popcorn Kitty had been filching; we admitted that we were.
We assured her that we had been pleased to share our snack and thanked her again.
We never managed to conduct that interview with our Kitty; she passed away just short of two years later and we somehow didn’t manage to get our ducks in a row in time. But we’ll always treasure the memory of our encounter with her.
And we figure that, if there’s an afterlife (and we’re inclined to think there is), we’ll have someone to show us around a bit. Surely she won’t mind introducing us to the Marx Brothers, for starters, and to our favorite What’s My Line panelist, Arlene Francis. Kitty, of course, was a regular panelist on To Tell the Truth, but she was a guest panelist on What’s My Line more than once, and we’d bet our bottom dollar that she and Arlene got along like two peas in a pod.
We figure it’s the least she can do. After all, we shared our popcorn with her, right?
THE BIRTH OF THE BLUES
Let Me Be a Troubadour,And I Will For Nothing MoreThan One Short Hour Or SoTo Sing My Song And Go.