Here are 10 things you should know about character actor Frank McHugh, born 122 years ago today. We’ll watch just about any movie he appears in.
Comic relief and sidekick extraordinaire Frank McHugh was born 118 years ago today in Homestead, Pennsylvania. If you’re not sure you recall McHugh’s name, you’ll surely recognize his face if you’ve seen even a few movies from the 1930s and ’40s.
Here are our ten Frank McHugh trivia tidbits:
- Frank McHugh’s parents ran a stock company, and as a child, he occasionally appeared in their productions. He also toured in vaudeville before making his Broadway debut in The Fall Guy in 1925, a play cowritten by George Abbott and character actor James Gleason.
- McHugh, who signed with First National/Warner Brothers as a contract player in 1930, appeared in more than 90 pictures over the next twelve years.
- Frank McHugh made 11 pictures with his pal James Cagney (they were both, along with Pat O’Brien and others, a part of Hollywood’s Irish Mafia).
- McHugh also appeared in 12 pictures with fellow character actor Allen Jenkins.
- Frank McHugh twice reprised in a remake a character he’d already played in the original version of that film: in One Way Passage (1932) and ‘Til We Meet Again (1940), he played a thief eluding Chinese authorities, and in both The Crowd Roars (1932) and Indianapolis Speedway (1939), he played a character named Spud Connors.
- Two of McHugh’s siblings, Matt McHugh and Kitty McHugh, were also film actors. Matt had appearances in more than 220 movies, shorts and TV series to his credit, and Kitty compiled 60 appearances in film and on television.
- Frank McHugh was an eager participant in USO tours during World War II and he was also a member of the Hollywood Victory Caravan, a troupe of 21 stars that traveled the US by train for three weeks, performing along the way to raise money for the Army and Navy Relief Fund.
- McHugh’s USO efforts earned him a citation from the army “for exceptionally meritorious service while working as a member of an entertainment unit” that was signed by Major General Raymond S. McLain.
- Frank McHugh starred in his own radio program, Hotel for Pets, from 1954-56. Some oldtime radio references list the progam as a soap opera, but that somehow seems unlikely to us.
- McHugh and his wife, Dorothy, were married from 1933 until his death in 1981. They had three children together and two grandchildren.
Happy birthday, Mr. McHugh, wherever you may be!
Last night we watched The Lady Objects (1938), a strange and kind of silly drama/musical (drusical?) that finds Gloria Stuart, adorable as ever, playing a hotshot lawyer whose husband (Lanny Ross), a former All-American halfback, a world-class tenor and a hopeful young architect (quite the trifecta, that), resents her success and the demands it places on her time.
As we said, kind of silly, but entertaining enough, since we get a special kick out of watching any picture that features Ms. Stuart. We were pleased to do a telephone interview with her some years ago when her memoir was published, and we’ll admit to being not a little proud that when we got to meet her in person a few weeks later at her book party in NYC, she flirted with us just the slightest bit. Nothing overt, nothing untoward, but in a room filled almost entirely with the young women of the publishing industry, we stood out, it seems—a young(ish—we were 41 at the time) man who was thrilled to dote on Ms. Stuart, bringing her food and drink, asking her questions about her movie career back in the 1930s and generally behaving in starstruck fashion.
So whenever we see her looking so fetching on the screen, we can’t help but think, That gorgeous movie star once flirted with us, an actress who might have once flirted with Humphrey Bogart, The Marx Brothers, James Cagney, Lee Tracy, Melvyn Douglas, Boris Karloff, Ralph Bellamy, Pat O’Brien, Eddie Cantor, John Boles, Claude Rains, Lionel Atwell, Frank Morgan, Brian Donlevy, Warner Baxter, Dick Powell, Frank McHugh, Don Ameche, Lyle Talbot, George Sanders, Walter Pidgeon, Jack Oakie, and Richard Dix. In any case, she appeared in pictures with each of them (except Bogart and the Marx Brothers, whom she knew socially).
Yes, our brief encounter with Ms. Stuart came more than a half-century after those hypothetical Hollywood flirtations—she was 89 at the time—but if she batted her eyelashes at even one-tenth of her aforementioned costars back in the day, we’d have to say we’re in pretty good company!
We don’t know how we let it sneak by us, but Monday, July 5, was the 100th birthday of the wonderful Gloria Stuart, best known now for her work in James Cameron‘s Titanic, but a woman who’s led a remarkable life and was a pretty big movie star in the 1930s, to boot.
In 1999, when she was just a kid of 89, we got to interview Gloria on the occasion of the publication of her memoir, I Just Kept Hoping. The interview was conducted over the telephone, though we did get the chance to meet Ms. Stuart when she came to NYC for her book party.
We considered it quite a thrill, we don’t mind telling you, to get to interact with Ms. Stuart. After all, this is the women who starred opposite Claude Rains in James Whale‘s The Invisible Man, who appeared with Boris Karloff, Melvyn Douglas, and Charles Laughton in The Old Dark House, who worked with greats such as Irene Dunne, Ralph Bellamy, Pat O’Brien, Lionel Barrymore, Lee Tracy, Nancy Carroll, Frank Morgan, Paul Lukas, Edward Arnold, Eddie Cantor, Ruth Etting, and dozens more.
So, to mark her centennial (a few days late, alas), we thought we’d share with the Cladrite Radio Clan the interview we did with her in 1999. Enjoy!
It’s been a long, eventful life for former and current movie star Gloria Stuart. She had her first go-around at stardom in the Hollywood heyday of the 1930s and ’40s; then, after taking off 30 years or so to pursue painting, travel, and political activism, she again began to act in the 1970s, eventually garnering a Best Supporting Actress nomination for her role in Titanic. Still going strong today at the age of 89, Stuart has now added authorship to her list of achievements. Her candid memoir, I Just Kept Hoping, is peppered with anecdotes about such memorable figures as Shirley Temple, Groucho Marx, Dorothy Parker, and J. Robert Oppenheimer, the father of the atomic bomb. We spoke to Gloria about her life, her two careers in the movies, and her secrets for living so long and so well.
An Interview with Gloria Stuart
I’m very happy I was in those films. You know, James is a cult figure in England. There are a lot of James Whale fan clubs. Actually, right after I had read for Jim Cameron for Titanic, I had booked a month in London. I went right away, and there were two wonderful James Whale organizations that I met with. He’s getting his due now, thanks to Gods and Monsters.
What did you think of Gods and Monsters? Was it, in your view, an accurate portrayal of Whale?
Oh, yes, it was. Ian McKellan captured James’s elegance, the beautiful manners, the beautiful tailoring, the precision, the whole thing. Of course, no one could be James, but he came awfully close.
The special effects in The Invisible Man hold up remarkably well today for a film that was made in 1933.
Yes, people who see it today—it runs every so often—they say, gee, it’s not an old hat movie at all.
I’m wondering—did the processes that went into creating those special effects slow down the pace of moviemaking at all?
It was never evident. Only James and the cameraman and I guess all the process people at Universal—the rest of us never had any inkling of what was going on. We did do a lot of shooting in front of black curtains. Now, I wasn’t on the set when the bandages came off or anything like that, so I have no idea about that. But it was very, very secret. I wasn’t on the set when they were finagling the bandages off, and so forth.
That would’ve been fun to see.