Here are 10 things you should know about Paul Whiteman, born 129 years ago today. Known as the King of Jazz during his heyday, Whiteman isn’t afforded that level of respect by many today, but his influence is undeniable. His music may have leaned to the pop side, but in that era, jazz was dance music, so it was pop, in a sense, and Whiteman helped to bring the new sounds to a wider audience.
The musical was a popular genre in the very early days of talkies, but the moviegoing public quickly (if briefly) lost interest in singing pictures.
One movie that fell victim to that disinterest was King of Jazz (1930), a lavish musical-comedy revue that featured Paul Whiteman‘s orchestra delivering an assortment of musical numbers with comedic sketches interspersed throughout.
King of Jazz, made for Universal Pictures, was filmed entirely in an early, two-color version of Technicolor and featured actors and performers such as the Rhythm Boys (Bing Crosby, Al Rinker and Harry Barris, don’t you know), John Boles, Laura La Plante, Slim Summerville, Walter Brennan, jazz legends Joe Venuti and Eddie Lang, and the Russell Markert Dancers (who would soon become the Radio City Music Hall Rockettes).
King of Jazz was not a money-maker, and a revamped version released a few years later did no better, so it might well have fallen into obscurity and been forgotten, but over the decades, interest in the film increased. In 2013, the film was selected by the Library of Congress for preservation in the National Film Registry, and in 2018, a spectacular restoration of the film was screened in a few locations across the country and around the world.
We were present for the restoration’s premiere in New York City, and it proved to be a terribly exciting event. The buzz in the theatre was palpable and the film, which had been beautifully restored, received cheers from the packed house throughout the screening.
We’re pleased to share the exciting news that Turner Classic Movies is airing this acclaimed restoration on Monday, March 4, at 8 p.m. ET. If you listen to Cladrite Radio with any regularity, this one’s right up your alley. We’re calling it a don’t-miss.
Here are 10 things you should know about the great Mildred Bailey, born 119 years ago today. Hugely popular in the 1930s, she was an important link between early jazz performers such as Ethel Waters and Bessie Smith and iconic singers like Ella Fitzgerald and Billie Holiday.
Be sure to tune into Cladrite Radio today, where we’ll be paying tribute to Mildred Bailey all day long.
Here are 10 things you should know about Mary Carlisle, born 105 years ago today. She was never a A-list star, but over a 14-year career, she made her mark on Hollywood. And perhaps most impressive, she lived to be 104.
There are precious few stars of the 1930s who are still with us today, and it is with sadness that we share the news that Mary Carlisle, born Gwendolyn Witter in Boston, Massachusetts, has passed at the age of 104.
The last of the WAMPAS Baby Stars, an annual promotional campaign sponsored from 1922-1934 by the Western Association of Motion Picture Advertisers that honored 13 young actresses (the number was 15 in 1932, the year Carlisle was honored) whose careers showed great promise, Carlisle was discovered in 1928 by studio executive Carl Laemmle, Jr. while dining at the Universal Studios commissary. She was just 14.
In 1930, Carlisle signed a one-year contract with Metro-Goldwyn-Mayer, appearing mostly as a dancer in musical shorts, but it was with Paramount Pictures that she would achieve her greatest success. She appeared opposite Bing Crosby in three films—College Humor (1933), Double or Nothing (1937) and Doctor Rhythm (1938)—and would go on to appear in more than sixty pictures in the course of her 14-year career, most of them “B” pictures with titles reminiscent of the early scene in Preston Sturges‘ Sullivan’s Travels, in which successful but artistically frustrated director John L. Sullivan (Joel McCrea) is reminded of some of his greatest successes: Ants in Your Plants of 1939, Hey Hey in the Hayloft, and So Long, Sarong.
Some of Carlisle’s pictures could’ve been plugged right into John L. Sullivan’s filmography, titles like Hotel Haywire (1937), Ship A Hooey! (1932), and Handy Andy (1934), and we’d pay good money and line up early to see that triple feature tonight, if only some bijou were screening it.
Carlisle was wed to actor James Edward Blakeley (he would go on to become an executive producer at 20th Century-Fox) in 1942 and retired from motion pictures soon thereafter. But more than five dozen pictures is nothing to sneeze at, nor is living (and staying vital) to 104 years of age. What a rich, full life Ms. Carlisle enjoyed.
Rest in peace, Ms. Carlisle, and thank you.
This story originally appeared in a slightly different form on February 3, 2016.