The immortal Ernst Lubitsch, born 126 years ago today, is one of the few true giants of cinema. Peter Bogdanovich once described Lubitsch’s classic The Shop Around the Corner thusly: “an absolute masterpiece of wit, humanity understood and defined. Each character is vividly brought to life with compassion and love; it makes you laugh, and it can make you cry.” In our view, the same could be said of virtually all of Lubitsch’s pictures.
Here are 10 things you should know about Ernst Lubitsch…
The great—and we do mean great—Ernst Lubitsch was born 125 years ago today in Berlin, Germany. He would go on to direct some of the greatest comedies in cinema history. Here are 10 EL Did-You-Knows:
Lubitsch’s parents were Ashkenazi Jews; his father was a tailor who hoped that his son would follow in his footsteps, but Ernst was interested in the theatre.
Lubitsch began his career as an actor, making his film debut in 1913 in The Ideal Wife. He directed his first picture in 1914. He would go on to act in approximately thirty films before making the switch to directing fulltime in 1920.
In 1922, Lubitsch was hired as a director by Mary Pickford and came to Hollywood. He and Pickford didn’t get along while they made their first and only picture, Rosita, together, but he was quickly offered a six-picture deal by Warner Brothers that gave him his choice of cast and crew and final edit privileges.
Lubitsch’s reputation for creating sophisticated comedies began in the silent era, but it was with the rise of talking pictures that he really found his stride. Many of his early sound pictures—The Love Parade (1929), Monte Carlo (1930) and The Smiling Lieutenant (1931) among them—were musicals that certainly featured elements of the stylish comedic work he would come to be associated with, but it was with his 1932 masterpiece, Trouble in Paradise (1932), that he made his first big splash in the genre of romantic comedy. He would make no more dramas after Broken Lullaby (1932).
After several years with Paramount Pictures, Lubitsch was named the studio’s production manager, making him the first director to run a major studio.
In 1939, Lubitsch moved to MGM, where he directed Ninotchka. Though he was longtime friends with the picture’s star, Greta Garbo, Ninotchka was the first and last time the pair would work together.
Billy Wilder cited Lubitsch as his favorite director. He is said to have had a sign over the door in his office that read, “How Would Lubitsch Do It?”
Lubitsch’s unique blend of wit and sophistication came to be known in Hollywood and around the world as “the Lubitsch Touch,” a label which critic Michael Wilmington ably described: “At once elegant and ribald, sophisticated and earthy, urbane and bemused, frivolous yet profound. [Lubitsch’s pictures] were directed by a man who was amused by sex rather than frightened of it—and who taught a whole culture to be amused by it as well.” We couldn’t agree more.
In 1946, Ernst Lubitsch received an honorary Academy Award for his distinguished contributions to the art of the motion picture. He died of a heart attack the next year.
Happy birthday, Ernst Lubitsch, wherever you may be!
Joe E. Brown was born Joseph Evans Brown 124 years ago today in Holgate, Ohio. He’s best remembered today for the role of millionaire Osgood Fielding III in Billy Wilder‘s Some Like It Hot (1959), but he starred in dozens of feature-length comedies in the 1930s and ’40s. Here are 10 JEB Did-You-Knows:
At the age of 10, Brown, with the blessings of his parents, joined a traveling tumbling act, the Five Marvellous Ashtons, that played vaudeville and circuses.
In 1920, Brown made his Broadway debut in a review called Jim Jam Jems. Throughout that decade, he continued to hone his comic chops and in 1929, he was hired to star in comedy features for Warner Brothers.
Though he appeared small onscreen and generally played ineffectual nebbishes, he was actually quite athletic, having played semi-pro baseball for a time, and his physique, occasionally displayed in his pictures, was very impressively defined.
During World War II, Brown let his movie career lag while he worked tirelessly to entertain the troops in Europe. He was one of just two civilians to be awarded the Bronze Star for his efforts.
After the war, Brown and his wife adopted two German-Jewish refugee girls, naming them Mary Katherine Ann and Kathryn Francis.
Brown’s first-born son, Don Evan, who was a Captain in the U.S. Army Air Corps, died during World War II in a plane crash. His second son, Joe L. Brown, grew up to be a baseball executive, serving as general manager of the Pittsburgh Pirates. During his tenure, the Bucs won the 1960 World Series, defeating the New York Yankees in a seven-game series.
Beginning in 1924, Brown was a lifelong member of The Lambs, a NYC theatrical club that was found in 1874.
In 1948, Brown won a special Tony award for his performance as Elwood P. Dowd in the touring company of Harvey. The award cited Brown for “spreading theater to the country while the original performs in New York.”
Brown twice contributed first-person stories to Norman Vincent Peale‘s inspirational publication, Guideposts; the stories appeared in the June 1948 and June 1962 editions of the magazine.
Joe and his wife, Kathryn were married nearly 58 years, until his death in 1973.
Happy birthday, Joe E. Brown, wherever you may be!
We can’t think of another actor as underestimated as MacMurray. He is widely remembered today for the latter phase of his career—his Disney movies and his television work—but in the 1930s, ’40s and even into the ’50s, he exhibited a wider range than any My Three Sons fan might ever imagine.
After all, can you imagine Steve Douglas, widower and pipe-smoking, cardigan-wearing father of three boys, teaming up with Barbara Stanwyck in a blond wig to kill her husband for an insurance payout?
MacMurray pulled off just such a role in the classic film noir Double Indemnity (he starred opposite Ms. Stanwyck four times altogether, the lucky stiff, beginning with the oft-praised-in-this-space 1940 romantic dramady-slash-Christmas movie, Remember the Night).
When you consider that MacMurray also played a mutinous Navy lieutenant in The Caine Mutiny (1954) and a lecherous advertising executive in The Apartment (released, ironically enough, the same year My Three Sons debuted), you start to get the picture.