Echoes of the Automat

There’s an oft-quoted passage from a Joan Didion essay entitled Goodbye To All That that reads, “I still believed in possibilities then, still had the sense, so peculiar to New York, that something extraordinary would happen any minute, any day, any month.”

Ms. Didion may have stopped feeling that way about New York somewhere along the way, but we haven’t. In fact, the enduring sense that something extraordinary (and/or strange, serendipitous, surprising, wonderful) could happen at any time is one of things that hooked us but good on this city more than 35 years ago and keeps us engaged with New York even today.

One can live here for 34 years (as we have) and still step out your front door and encounter something you’ve never seen before.

Our day’s tasks on a recent Saturday found us at the corner of 38th street and Eighth Avenue in Manhattan, less than a mile north of Cladrite HQ, when we spotted, to our surprised delight, a painted ad on the side of a brick office building just east of the avenue.

These hand-painted signs are sometimes called “ghost signs,” in part because they are virtually all painted many decades ago, they often advertise products and establishments that no longer exist and they are frequently only discovered—uncovered, really—when another building, built more recently, is razed, revealing the long-forgotten advert. The newer, now-demolished building had hidden (and thereby preserved) the ghost sign all those years.

That wasn’t the case with the sign we spotted on Saturday. It peeks over the roof of a four-story commercial parking garage, so while it might once have been concealed by another building, it has been, for at least as long as the parking garage has been there, hiding in plain sight.

A hand-painted Automat advertisement    A hand-painted Automat advertisement

That the sign was for an Automat once in operation on the building’s ground floor made all the difference. We love all these old signs and always get a kick out of spotting examples we’ve never noticed before, but an advertisement for an Automat? For our money, it gets no better than that.

Happy birthday, Kitty Kallen!

Kitty Kallen quoteSadly, there aren’t terribly many performers still with us who enjoyed success during the Cladrite Era—all the more reason, then, to celebrate songbird Kitty Kallen‘s 93rd birthday.

Kallen, born Katherine Kalinsky in 1922 in Philadelphia, sang on the radio as a child on a program called The Children’s Hour, which was sponsored by Horn and Hardart, the Automat people, and as a teenager, she had occasions to sing with the big bands of Jan Savitt (in 1936), Artie Shaw (in 1938), and Jack Teagarden (in 1940).

At 21, she replaced Helen O’Connell as the singer for the Jimmy Dorsey Orchestra, primarily performing duets with Bob Eberly. After Eberly entered military service in 1943, Kallen joined the Harry James Orchestra, with whom she sang on several hit songs, including two—“I’m Beginning To See the Light” and “It’s Been a Long, Long Time”—that reached #1 on the charts.

But Kallen’s career didn’t end when the big band era did. Her 1954 hit, “Little Things Mean a Lot,” was number one in the U.S. for nine weeks and remained on chart for nearly seven months, selling more than two million copies in the process. She had many more hits throughout the 1950s and early ’60s

She also appeared frequently on television, on Broadway in Finian’s Rainbow, in many of the world’s top nightclubs and in at least one motion picture. On her final album, Quiet Nights, she sang in the bossa nova style. A lung ailment would eventually force her retirement, but Ms. Kallen is still with us and we sincerely hope she enjoys a wonderful birthday today.

A Nickel’s Worth of Grub at the Automat

We are fascinated by Automats, those self-serve restaurants that asked diners to drop nickels in slots in order to raise one of dozens of small glass doors to access a serving a meatloaf or apple pie.

Horn and Hardart opened the United States’ first Automat in Philadelphia in 1902, but they are mostly closely associated with New York City, where they thrived for decades before dying off in the 1980s and early ’90s. There were only a handful remaining when we arrived in the Big Apple in 1982, and we just made it to the last one before it closed in 1991.

But the Automat lives on in old (and not-so-old) movies, and we’ve devoted a playlist on the Cladrite Radio Youtube channel to scenes depicting these grand old eateries.

The most recent addition, from a 1925 silent called The Early Bird, can be viewed below, but if you wish to see full playlist of a dozen clips (and you do, take it from us), just follow this link. You’ll enjoy scenes featuring Joan Crawford, Ray Milland, Jean Arthur, Doris Day, Cary Grant, Debbie Reynolds, Sylvia Sidney, and many more.