Tag: Arthur Freed

We’re having a great time, thanks

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Bless Royal Caribbean’s little corporate hearts. They seem to have a Cladrite kindred spirit or two involved in creating their advertising campaigns. We wonder if the people responsible know about our humble little operation—here’s hoping.

Many of you will recall that in February, RC ran a campaign that featured the Hal Kemp Orchestra‘s rendition of “It’s Winter Again,” a relatively obscure song from 1932 with lyrics by Arthur Freed and a lovely melody by Al Hoffman and Al Goodhart.

We were already featuring the lyrics to the song at the bottom of each page here at Cladrite Radio, and when the commercial featuring the Kemp recording of it, with Skinnay Ennis on vocals, began to run frequently, our traffic shot right up. Folks were Googling the lyrics trying to find out more about the song and/or the recording and were finding their way here (more on that here).

Which suited us just fine, as you might imagine.

February came and went, as did winter and, therefore, that particular commercial, but the good folks at Royal Caribbean are now running a television spot that features another relatively obscure song from the Cladrite era, “Are You Havin’ Any Fun?“. We thought the spot might be using a 1941 recording by Joe Loss and His Orchestra, but we began to suspect that it was, in fact, a modern-day recording, just made to sound old (which this story about the commercial confirmed.)

So we thought we’d share the lyrics and a couple of recordings of the song with our readers and listeners. When you’ve got a sympatico relatiionship with a company like Royal Caribbean, you might as well prolong it.

Are You Havin’ Any Fun?
Hey fellow with a million smackers
And nervous indigestion
Rich fellow, eats milk and crackers,
I’ll ask you one question,
You silly so and so,
With all your dough…

Are you havin’ any fun?
What you getting out of livin’?
What good is what you’ve got
If you’re not havin’ any fun?

Are you havin’ any laughs?
Are you getting any lovin’?
If other people do,
So can you, have a little fun.

After the honey’s in the cone,
Little bees go out and play.
Even the old grey mare down home
Has got to have hay. Hey!

You better have some fun.
You ain’t gonna live forever.
Before you’re old and gray, feel okay.
Have your little fun, son!
Have your little fun!

Why do you work and slave and save?
Life is full of ifs and buts.
You know the squirrels save and save,
And what have they got? Nuts!

Better have a little fun.
You ain’t gonna live forever.
Before you’re old and grey, still okay,
Have your little fun, son!
Have your little fun!
Are you havin’ any fun?

“Are You Havin’ Any Fun?” was composed by Sammy Fain (music) and Jack Yellen (lyrics) for a Broadway show called “George White’s Scandals of 1939.” The Scandals were an Ziegfeld Follies-esque revue that was produced on an annual basis from 1919-1939.

Tony Bennett had a hit with the song in the late 1950s, but the version heard on the Royal Caribbean ad has more of a late ’30s/early ’40s feel to it, and the versions we’re sharing below date from that era.

“Are You Havin’ Any Fun?” — Tommy Dorsey and His Orchestra

“Are You Havin’ Any Fun?” — Ella Logan

“Are You Havin’ Any Fun?” — The Hoosier Hot Shots

Fridays with Rudy: Vagabond Dreams Come True, Ch. 17

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In Chapter 17 of his 1930 memoir, Vagabond Dreams Come True, Rudy Vallée regales the reader with tales of the songwriting game and music publishing business.

Chapter XVII

SONGS AND SONG WRITING

I DO NOT want to destroy any illusions that my songs may have built up about me but I am really not, at least in the accepted sense of the word, a “veteran” song writer, although I have more than the required number of songs to my credit to entitle me to make application for membership in the American Society of Authors, Composers, and Publishers.
Along Tin Pan Alley the real song writer, in the accepted sense of the word, is he who has not only one or more hits to his credit, but whose mind is continually filled with lyrics and melodies and who can write a song almost at command. Of course it is greater proof of this gift to have five or six or even more successful hits to one’s credit; but the man whose mind is prolific enough to produce one song after another that will be at least moderately successful, if not a terrific hit, is the veteran song writer.
Of course the greatest in the game are the men whose names stand out almost like names in history, such as Irving Berlin, with all his successful waltzes and early fox trots, Walter Donaldson, the Von Tilzers, Victor Herbert, creator of a higher type of semi-classical, popular music, Seymour Brown, Jerome Kern and many others I may have forgotten to mention.
Of recent years there has grown up a group of young men who have twisted the music scale into odd combinations to the satisfaction of their purses and vanity. Benny Davis has the most hits to his credit, Gus Kahn is considered the greatest lyric writer of them all—at least he is the highest paid individual, and his name has appeared on so many song that it is almost impossible to keep count of them. George Gershwin has also written some very clever popular tunes besides his rhapsody, although his popular show tunes have never achieved sensational success. Mabel Wayne, perhaps the only really successful woman writer, has several hits to her credit; while Mary Earl who wrote “Beautiful Ohio” several years ago, seems to have rested on her oars ever since. Marian Gillespie is another not heard from in years.
The clever team of Jimmy McHugh, once a plumber, and Dorothy Fields, daughter of the great comedian, evolved some very fine music for several Broadway productions of the season of 1928-1929, including the year’s hit, “I Can’t Give You Anything but Love, Baby.”
After having written “Dardanella” and left it on the shelf for two years, Fred Fisher was finally persuaded to allow a famous re-write musician to make a beautiful arrangement of it, thus turning it into a really salable piece, and its success was instantaneous and historic. He had written several hits before, but Dardanella was his greatest.
Nearly everyone in the East knows of the fantastic record of three young boys, one of whom for years had displayed his talents in University productions, while another had been a night club wiseacre and the third who had always been a song writer. These three boys, after collaborating on a few tunes for other publishers finally incorporated and their success is the talk of Tin Pan Alley. Within the period of a year Bud De Sylva, Lou Brown, and Ray Henderson not only wrote enough tunes to pay for the building they now own but declared a handsome dividend for themselves at the end of their first year.
Theirs is the outstanding success of the song world, but of course, they are perhaps the most gifted trio of song writers in existence, having to their credit the music of “Good,” “Three Cheers,” “Hold Everything,” “Follow Through,” “Sonny Boy,” “Together,” and many other tunes too numerous to mention.
Two newcomers, Roy Turk and Fred Ahlert, have written three or four successes and can feel very pleased with themselves. Who doesn’t know their “I’ll Get By,” “Mean to Me,” and “To Be In Love, Specially With You?”
I could go on indefinitely.
On the Pacific Coast there are two young men, Herb Brown and Arthur Freed, whose “Broadway Melody” hits, “Doll Dance,” “Pagan Love Song,” “Singin’ in the Rain,” and many other tunes of an instrumental nature have earned them a princely fortune, enough so they can retire at any time.
Other famous west coast and middlewest writers are Isham Jones whose work with Gus Kahn gave us such beautiful tunes as “I’ll See You in My Dreams,” “Spain,” “The One I Love Belongs to Somebody Else,” “It Had to Be You,” and many others.
But I must end my list even at the risk of injuring the feelings of those whom I have not mentioned. I feel the ones enumerated are the outstanding writers, and anyone I may have failed to speak of will forgive me.
Most of these songsmiths are at the time of my writing either on the Pacific Coast, or en route to it or from it, as the creation of sound pictures and the need for music to fit situations in these sound pictures has required the presence of these fertile musical minds. They must be on the spot where, as the picture is rehearsed, they can see more easily just how the song must fit the scene. At unheard of guaranteed weekly salaries, with their royalties from each song sheet and record as an extra bonus, these men have rushed to the Coast with even greater anticipation and hope than did the miners in the gold rush of ’49.

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As seen on TV

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The internet can foster oddly serendipitous partnerships. Who’d have thought a cruise line’s ad campaign would be driving traffic to Cladrite Radio?

As regular readers and listeners may have noticed, we usually feature the lyrics to a seasonally appropriate song at the bottom of each page of our site. We generally try to choose a lesser-known song, one with which the average visitor to the site might not be familiar.

We’ve no idea how many folks notice those lyrics, but we’re of the opinion that it’s the little things that set a site apart, and we try to provide regular visitors to Cladrite Radio little bonuses that repay their loyalty.

Currently, the lyrics at the bottom of the page, penned by Arthur Freed, are from a 1932 song called “It’s Winter Again,” for which Al Hoffman and Al Goodhart wrote the melody. It’s not a song that might be considered a standard, as it’s only been recorded by a few performers over the years—Hal Kemp, Isham Jones, and Ruth Etting, among them—but it’s a catchy little tune with pleasing lyrics. Still, you could ask 100 people on the street if they’d ever heard it, and chances are, you’d get 100 negative responses.

But Royal Caribbean, the cruise line, is currently running a television commercial featuring the Hal Kemp recording of the song (with Skinnay Ennis handling the vocals), and people are turning to the internet to do a search on the lyrics.

Which brings many of them here to Cladrite Radio.

Funny how that happens, no? We feature the lyrics of an obscure ode to wintertime romance, and it ends up increasing traffic to our site.

So welcome to all you Googlers and Bingers who have found your way here. We hope you pay us the occasional return visit.

And just to show you how welcome you are, we’re sharing both the Hal Kemp and Isham Jones recordings of “It’s Winter Again” for your listening pleasure (that’s Frank Sylvano on the vocals on the Jones recording).

Hal Kemp and His Orchestra, feat. Skinnay Ennis—“It’s Winter Again”

Isham Jones and His Orchestra, feat. Frank Sylvano—“It’s Winter Again”