Here are 10 things you should know about Robert Young, born 112 years ago today. Young is best remembered nowadays for his television roles on Father Knows Best and Marcus Welby, M.D., but he also enjoyed a successful movie career in the 1930s and ’40s.
Here are 10 things you should know about the legendary Jack Benny, born 125 years ago today. Benny was a show business icon who was said to be the very opposite of the parsimonious, vain and persnickety figure he portrayed for so long. We suspect the American public knew it all along.
Here are 10 things you should know about Harold Huber, born 109 years ago today. If you’ve seen even a half-dozen movies from the 1930s, there’s a pretty good chance you’ve seen this prolific character actor at work.
We’ve acknowledged that the precode era is one of our favorite era in movie history. For those that might not know, precode movies are those made after the ascent of sound but before the Hayes code, which greatly restricted the plot, language, and attitudes that Hollywood pictures were allowed to portray, began to be strictly enforced by the Breen office in 1934.
That quaint, wholesome quality you may associate with old movies? The pictures of the 1930s and ’40s that might convince you, if you don’t already know better, that life was simple, pure and uncomplicated back in the good old days? Those came after the code kicked in. Precode movies are another thing altogether.
Some pictures that typify the precode era are playfully bawdy; others are downright gritty, sometimes even a bit shocking today (though rarely very graphic, by our standards). Tomorrow (Tuesday, July 31st), TCM is giving precode neophytes the chance to do some serious catching up, as they’ll be airing precode favorites all day long, from 6am till 8pm. If you’ve ever wondered what the fuss was all about, here’s your chance to educate yourself.
If it’s gritty you’re looking for, we’d recommend Safe in Hell (1931) and Three on a Match (1932); if you’re just looking for a little salty fun, give Jewel Robbery (1932) and Blonde Crazy (1931) a look. But honestly, we recommend loading up your DVR with every one of these entertaining pictures; they all have something to recommend them.
Here’s the line-up (all times Eastern):
6:00 am — Downstairs (1932)
7:30 am — Loose Ankles (1930)
8:45 am — She Had to Say Yes (1933)
10:00 am — Faithless (1932)
11:30 am — Hell’s Highway (1932)
12:45 pm — Safe in Hell (1931)
2:00 pm — Jewel Robbery (1932)
3:15 pm — Three on a Match (1932)
4:30 pm — Footlight Parade (1933)
6:30 pm — Blonde Crazy (1931)
Very few performers have ever managed to carve out a nine-decade career in show business, but that’s just what Rose Marie (Baby Rose Marie, to Cladrite Radio listeners) has done—and she’s still going strong. Since launching her career at the ripe old age of four (she had a weekly radio program that was broadcast nationally before Shirley Temple was even born), Rose Marie has enjoyed success in vaudeville, radio, records, motion pictures, Broadway, and television.
A delightful new documentary, Wait for Your Laugh, documents Rose Marie’s amazing life and career, and we’re delighted to share a very lightly edited transcript of a telephone conversation we recently had the pleasure of enjoying with her. Buckle your seat belts; it’s a delightfully wild ride. As you’ll soon see, Rose Marie is as sharp and as funny as ever.
Cladrite Radio: I have a lot of things I’d like to talk to you about.
Rose Marie: First of all, let me ask you a question.
Cladrite Radio: Sure.
Rose Marie: Did you see the movie [Wait for Your Laugh]?
Cladrite Radio: I did!
Rose Marie: What’d you think of it?
Cladrite Radio: I loved it. I thought it was great.
Rose Marie: What’d you like about it?
Cladrite Radio: I’m very interested in the popular culture of the 1920s, ‘30s and ‘40s, in addition to …
Rose Marie: That’s my era.
Cladrite Radio: It sure is. I have an online radio station that features music of that era. I play some of your records on the station.
Rose Marie: Oh, nice.
Cladrite Radio: When I got the chance to interview you, I was so excited. I’m a fan of your music, and I grew up with you on TV as well.
Rose Marie: I know, everybody says that. It makes me feel so old.
Cladrite Radio: Oh, well, I’m not so young myself.
Rose Marie: I’m 94, wanna bet?
Cladrite Radio: You’re doing great. You’re probably doing better at 94 than I am at 59.
Rose Marie: Okay.
Cladrite Radio: I wanted to ask you about the documentary. Whose idea…
Rose Marie: I’m very happy to tell you. I’m very proud of it. I love it. I’m so proud of [director] Jason Wise, I can’t stand it. I think he’s a genius. I think he’s going to be one of the biggest men in the business in a couple years. I think this will introduce him to everybody. I think he’ll even be bigger than Steven Spielberg.
Cladrite Radio: I’ll bet he wouldn’t mind that a bit.
Rose Marie: Oh, he’s wonderful. You have no idea. You don’t know how particular he is. When we decided to do this thing, I kept everything from the time I was three years old. Postcards, pictures, film, anything I had, I kept. When he talked about doing the documentary, he says, “Let’s talk.” I said, “I have everything in scrapbooks. Why don’t you just go through everything?” I emptied out my house, and I mean he cleaned me out of everything. He put it in that documentary. Just a genius.
Cladrite Radio: All the materials that we see in the documentary, the film clips we see and some of the programs and promotional materials and various things that are included in it…
Rose Marie: All mine. All mine that he dug up out of my house.
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