We were sorry to learn that Dorothy Malone had died, just days short of her 93rd birthday. She enjoyed a long career in motion pictures and television, mostly playing bad girls, but to us, she’ll always be the most memorable bookstore employee in the history of the movies, and if you doubt us on this, just watch this scene with Humphrey Bogart from The Big Sleep (1946).
We were sorry to learn Welsh-born stage and film actress Peggy Cummins died at age 92 on Friday, December 29, 2017, in London. She began as a child star and worked in the United States for only a few years, but if she’d played no other role than the sharp-shooting, bank-robbing femme fatale Annie Laurie Starr in Joseph H. Lewis’ Gun Crazy (1950), she’d have made an indelible mark.
As noir expert Eddie Muller said of Cummins in introducing the film on Turner Classic Movies in July 2017, “Peggy’s performance, her Hollywood swan song, would galvanize the Gun Crazy production and earn her lasting fame as the tiniest, but most ferocious, femme fatale in the history of film noir.”
Regular listeners to Cladrite Radio surely recognize the voice—and perhaps the name—of Bea Wain, one of the most popular songbirds of the Cladrite Era.
What you might not have known, however, is that Ms. Wain was still with us. Until very recently, that is. It saddens us to share the news that Ms. Wain passed away on Saturday, August 19, at age 100.
Wain got her start in nightclubs and on the radio before joining Larry Clinton and his orchestra in 1937. Wain and Clinton were a good team, enjoying great success, but her pay was low (shame on you, Mr. Clinton) so she stepped out from the Clinton outfit to forge a solo career, playing colleges and theatres and appearing frequently on the popular radio program Your Hit Parade.
A lovely voice has been silenced, but we still have her music. We’ll be adding more of Ms. Wain’s records to our playlist over the next couple of days as a tribute to a wonderful singer and a great gal.
Here’s a fond farewell to actress Gloria DeHaven, who passed away this weekend just a few days after her 91st birthday. There aren’t many stars still with us who debuted in pictures as far back as 1936, as she did. Here are 10 GDH Did-You-Knows:
- DeHaven’s first film appearance was at age 11 in Charlie Chaplin‘s Modern Times.
- During her film career, she dabbled in a number of genres, from romantic comedy to film noir, but she was best known for her work in musicals.
- In the film Three Little Words (1950), DeHaven played the role of her own mother, actress Flora Parker DeHaven.
- She was the recipient of Frank Sinatra‘s first screen kiss, in Step Lively (1944).
- In addition to her film career, DeHaven worked in nightclubs and the theater, and she would go on to enjoy a long and successful career on television.
- Early in her career, she was a girl singer with the orchestras of Jan Savitt and Bob Crosby.
- She was a regular on two popular soap operas—Ryan’s Hope and As the World Turns—and one takeoff on soaps, Mary Hartman, Mary Hartman.
- In 1975, DeHaven appeared as a panelist on five episodes of The Match Game.
- Her Broadway debut came in the 1955 musical adaptation of Seventh Heaven.
- DeHaven was married four times to three different men, and had two children each with two of them.
Godspeed and rest in peace, Gloria DeHaven…
We were very sorry to hear of the passing at age 92 of Lizabeth Scott. She was a terrific actress who made her most indelible mark in the genre of film noir. In fact, she’s one of only a handful of actresses who could make a legitimate claim to the title of Queen of Noir.
“What you call film noir I call ‘psychological drama,'” Ms. Scott once said. “It reflects the fact that there are so many facets in human beings. And that is why I don’t know if anyone else calls it ‘psychological drama,’ but I do. At that time, to myself, it was psychological and dramatic, because it showed all these facets of human experience and conflict, that these women [these femme fatales] could be involved with their heart and yet could think with their mind.”
We don’t know about you, but we’re going to spend the weekend savoring the dark delights of some of Ms. Scott’s most memorable movies: Dead Reckoning (1947), The Strange Love of Martha Ivers (1946), Too Late for Tears (1949), Pitfall (1948), Dark City (1950), I Walk Alone (1947)—there were so many.
Rest in peace, Ms. Scott.