Hollywood Undressed, Chapter Seven

The seventh chapter from Hollywood Undressed, a 1931 memoir attributed to the assistant of masseuse and health guru Sylvia Ulback, a.k.a. Sylvia of Hollywood (but actually ghost-written for Sylvia by newspaper reporter and screenwriter James Whittaker), reveals the truth behind Sam Goldwyn‘s misbegotten and short-lived pairing of Ronald Colman and Constance Cummings.

A GALLANT EPISODE

Ronald ColmanHERBERT BRENNON [sic] fixed it up for the boss to handle Ronald Colman, and pretty near got Sylvia pinched.
Colman was living down in the Malibu Beach colony. Malibu is about the most unprivate community in the world. In the first place, the matchboard shacks are built so close together that when your neighbor takes off his shoes you call, “Come in.” But the movie people are used to getting in each other’s hair, and like it, all except Greta Garbo, who tries to stick to her own toothbrush. So the lateral propinquity, as you might call it, is not a drawback in Malibu. But the longitudinal propinquity—the nearness to sea water on the one side and an eternal automobile procession of fandom on the other side—sometimes creates trouble. You’re always finding a snail or a tourist in your oatmeal.
About the time that Sylvia went down to Malibu to look up Colman, there had just been an epidemic of peeping Toms and Thomasinas plaguing the colony. Of course, the ladies were bothered most. Fans with big goggle eyes on stems were emerging from behind the wall paper at all sorts of embarrassing moments. Believe it or not, films girls who would act in a De Mille production without thinking anything of it can get just as nervous as an Iowa schoolma’am about a funny scratching noise at the bathroom window.
But if you think it was only the girls that were bothered by peepers, you don’t know fandom. Every morning there was just as much excitement about the size-five footprints outside the boys’ windows as about the size-nines outside the girls’. The colony was all excited that Sunday morning when Sylvia reported at Colman’s shack for duty.
The boss walked in without knocking and got held up by an alarmed Filipino.
“Go ‘way, please,” he squealed, and shook a towel at her.
“Where’s Mr. Colman?” asked Sylvia with authority.
“In bed, please,” protested the Filipino, and got in front of Ronald’s door, where he prepared to die. “Go ‘way, lady!” he kept squealing.
“In bed?” said Sylvia imperturbably. “Good. That’s just where I want him. Let me by.”
“No ladies allowed,” quavered the Filipino, who was really frightened. “Be quiet! I call police!” And he got a desperate hold on the door knob of Ronald’s door and began to bleat.
His cries were answered by two men who popped out of guest-room doors. Sylvia recognized them as William Powell and Philip Strange, two cronies of Ronald’s. But they didn’t know her at all. Strange took charge of the situation in a calm, haughty British way.
“Come now, my good woman,” he remonstrated. “Tell us what you want.”
Sylvia got wise to what was eating them and amused herself by feeding their panic.
“I just want to rub Ronald Colman,” she begged, trying to put a strange glitter in her eyes. “Just let me rub him once!”
“Oh, now, tut, tut!” soothed Strange.
The Filipino began again: “Go ‘way, lady, go ‘way!”
And Colman put a sleepy head out at the door to inquire what was wrong.
“This woman wants to rub you,” Strange explained.
“Well, why not?” yawned Colman. “She’s my masseuse.”
Strutting into Ronald’s chamber, Sylvia stole a backward glance at the nonplussed trio in the living room. She got a distinct impression that Philip Strange ball well didn’t approve of such goings-on.
The boss still counted Colman among her steady clients when she got mixed up in the series of errors that turned out to be comedy but might have been tragedy, and that established Constance Cummings, the Broadway ingénue, as a newcomer in films.

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Happy birthday, Lillian Roth!

In 1974, big news was made when prolonged legal wrangling over the rights to the Marx Brothers‘ second movie, Animal Crackers (1930), was finally resolved and the movie was released for public screenings for the first time for the first time in many years.

Imagine that: A “new” Marx Brothers movie (new in the fact that no one had been able to view it, in a theatre or on television, for so long—and of course, there were no VHS tapes yet, much less DVDs or Blu-Rays).

It was our junior year in high school, and we were working part-time evenings and weekends at the Northpark Cinema 4 in Oklahoma City. Already very devoted to all things Marx Brothers, we were thrilled when Animal Crackers was booked there. The movie settled in for an inexplicably long run (our memory might be playing tricks on us, but we recall it being there for a month or more), and we spent many an hour on those slow weekend afternoons soaking up the Marxian magic when we should have been out front taking tickets and sweeping up spilled popcorn. (To this day, we have the dialogue from that picture all but memorized.)

But it wasn’t just Groucho, Harpo, Chico, and Zeppo who held our attention. The winsome Ms. Lillian Roth, who played the ingénue in Animal Crackers and whose 102nd birthday it is today, hooked us but good with her flirtatious ways and deep-dish dimples.

We’ve had a crush on her ever since, and we trust that, after watching the following clips, you will, too. Happy birthday, lovely Lillian, wherever you may be.

A Cladrite holiday tradition continues

It’s that time of year again, folks.

Longtime readers will recall that the sharing of the B.C. Clark anniversary sale jingle is something of a holiday tradition here at Cladrite Radio. 2012 marks the fourth year we’ve shared it with you.

image--BC Clark logo Anyone who grew (or is currently growing) up in the Oklahoma City area knows that it’s just not the Christmas season until you’ve heard the B. C. Clark Christmas jingle on television or the radio at least once.

Below are two versions of the jingle—the original, which is admittedly of lower audio quality, and a later version—the one currently heard on radio and TV in the Oklahoma City area—which arguably sounds a bit better, but drops one line late in the song (“The Christmas wish of B. C. Clark is to keep on pleasing you…”), because 30-second commercials had became the norm on local television.

Original B. C. Clark Jingle

Revised B. C. Clark Jingle

B. C. Clark, for the non-Okies among you, is a jewelry retailer that’s been in operation in the Sooner State since 1892, and since 1956 (just one year outside Cladrite Radio’s purview, but we’re stretching a point for the holidays), they’ve been running the aforementioned jingle advertising their annual sale, which takes place not after Christmas, like most stores (or so the jingle’s lyrics insist), but just before.

So for 56 years, denizens of central Oklahoma have been humming along to this catchy ditty, and it’s now our pleasure to share this holiday highlight with folks from other parts of the country (and around the world).

Ms. Cladrite, who grew up in New Jersey, had the darned thing memorized after just three or four Christmas seasons’ exposure to this seasonal delight and can sing along whenever it’s played or performed.

It’s just that catchy a tune.

But be forewarned — listen more than two or three times, and you’ll be hooked, no matter how far away you live from the nearest B.C. Clark location. And soon, as with the millions of Okies who have come to associate this venerable jingle with the Christmas season, you’ll come to feel that it just isn’t the holidays until you’ve heard the jingle once or twice (or a dozen times).

Hollywood Undressed, Chapter Six

The sixth chapter from Hollywood Undressed, a 1931 memoir attributed to the assistant of masseuse and health guru Sylvia Ulback, a.k.a. Sylvia of Hollywood (but actually ghost-written for Sylvia by newspaper reporter and screenwriter James Whittaker), includes anecdotes of such star clients as Ramon Novarro, Ernest Torrence, Jack Holt, Neil Hamilton and Lawrence Tibbett.

NARSISSIES

Ramon NavarroRAMON NOVARRO was a little stiff.
Why shouldn’t he be? He sleeps in a coffin.
That’s a fact. Ramon’s bedroom in the immense house he occupies with an old grandee of a Spanish father, his mother, and ten—count ’em—ten brothers—Ramon’s bedroom is a replica of the burial crypt of some saint in the Vatican City in Rome. The bed itself, high, narrow, and set on a pedestal, is a sarcophagus, under a purple canopy crowned with a wreath of thorns. A funny idea, this. All I can say is that Ramon seems to want to hurry his Cecil B. De Millennium.
Sylvia says that the daily massage she gave Ramon at 7 A.M.—waking him out of his embalmed slumbers with the laying on of her hands—always felt spooky. It was too uncomfortably like a miracle.
The boss promoted the job with Novarro herself, one day when she had finished touching up Elsie Janis and gone down into the Janis back yard to see what was going on in the swimming pool. Quite a bunch of actors were splashing about, showing off; and as Sylvia came along Ramon Novarro dived in and came up floating on his back. Right away the boss’s eagle eye noted something that promised a new customer and she thought up a salemanship scheme.
“Can you float like that indefinitely” she asked Novarro.
“As long as I want,” he modestly asserted.
“While you smoke a cigarette?”
He lit up and puffed away, and was good for ten minutes, stomach up, under a broiling California sun. Sure enough, when he puffed the last puff and called Sylvia to witness that he had accomplished the feat, the nice round central part of him was dried by the sun, making a cute little dry island in the middle of his bathing suit where it had been raised above water level by an undeniable protuberance.
Neat, what? All Sylvia had to do was kid him about the watermark and he had to say the expected thing and invite her to undertake the removal of the island.
“How could I help it?” he alibied. “I’m just back from a trip to Germany—and who can resist Münchener beer?”
 
ERNEST TORRENCE is a contrast to the soft and delicate Ramon Novarro, but not such a tremendous one as you’d think. What I mean is, all the boys get girlish and skittish when they have to take a professional interest in their looks, and Big Ernest is no exception.
Like all those oversize fellows, Ernest has a small, firm-minded wife who bosses him around as if he were a young St. Bernard. Elsie Torrence had been taking treatments from Sylvia, and she reported that her husband was threatened with nervous breakdown and ought to let Sylvia treat him.
“But he’s so shy,” Mrs. Torrence said, “and he just has fits when I suggest that he call in a female masseuse.” She set her jaw and added: “I’ll bring him round, though.”

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