THE SAX GOD—WIEDOEFT
In Chapter 14 of his 1930 memoir, Vagabond Dreams Come True, Rudy Vallée offers his opinions on jazz—both the music and the term, the latter of which he felt strongly was too often misused. He also offers some rather questionable history lessons on the origins of jazz.
In Chapter 13 of his 1930 memoir, Vagabond Dreams Come True, Rudy Vallée addresses a question that he claimed occasionally came up: Was his experience in college responsible for his success? As a Yale man, Rudy had strongly felt opinions on the topic, and he’s not shy about sharing them.
Did College Help Me?
In Chapter Ten of Rudy Vallée’s 1930 memoir, Vagabond Dreams Come True, Rudy relates tales of a ten-week tour that covered a half-dozen vaudeville theatres scattered across New York City, in every borough save Staten Island. Rudy and his band even played the very top theatre in all of vaudeville, the Palace.
The band’s radio audience turned out in droves to see them do their stuff in person, and Rudy could tell the tour was a big success, thanks to what he describes as “the telepathic interchange of appreciation with which the air [became] charged.” (We know, we know—it had us scratching our heads, too.)
In Chapter Nine of Rudy Vallée’s 1930 memoir, Vagabond Dreams Come True, Rudy tells us about the voluminous amounts of fan he received and assures the reader that the rumor that the correspondence he receives comes mostly from flappers is decidedly untrue.
My Fan Mail