Precode Movies 101: TCM Offers a Primer for Beginners


We’ve acknowledged that the precode era is one of our favorite era in movie history. For those that might not know, precode movies are those made after the ascent of sound but before the Hayes code, which greatly restricted the plot, language, and attitudes that Hollywood pictures were allowed to portray, began to be strictly enforced by the Breen office in 1934.

That quaint, wholesome quality you may associate with old movies? The pictures of the 1930s and ’40s that might convince you, if you don’t already know better, that life was simple, pure and uncomplicated back in the good old days? Those came after the code kicked in. Precode movies are another thing altogether.

Some pictures that typify the precode era are playfully bawdy; others are downright gritty, sometimes even a bit shocking today (though rarely very graphic, by our standards). Tomorrow (Tuesday, July 31st), TCM is giving precode neophytes the chance to do some serious catching up, as they’ll be airing precode favorites all day long, from 6am till 8pm. If you’ve ever wondered what the fuss was all about, here’s your chance to educate yourself.

If it’s gritty you’re looking for, we’d recommend Safe in Hell (1931) and Three on a Match (1932); if you’re just looking for a little salty fun, give Jewel Robbery (1932) and Blonde Crazy (1931) a look. But honestly, we recommend loading up your DVR with every one of these entertaining pictures; they all have something to recommend them.

Here’s the line-up (all times Eastern):
6:00 am — Downstairs (1932)
7:30 am — Loose Ankles (1930)
8:45 am — She Had to Say Yes (1933)
10:00 am — Faithless (1932)
11:30 am — Hell’s Highway (1932)
12:45 pm — Safe in Hell (1931)
2:00 pm — Jewel Robbery (1932)
3:15 pm — Three on a Match (1932)
4:30 pm — Footlight Parade (1933)
6:30 pm — Blonde Crazy (1931)

Happy 116th Birthday, Jean Arthur!

The wonderful Jean Arthur was born Gladys Georgianna Greene 116 years ago today in Plattsburgh, New York. She was a reluctant and, some say, unlikely star, but she was one of the true greats in the genre of screwball and romantic comedies. Here are 10 JA Did-You-Knows:

  • Arthur was of Norwegian and English descent. Her father was a photographer, and her family relocated frequently as she was growing up; she would spend time in Jacksonville, Florida; Schenectady, New York; Saranac Lake, New York; and Manhattan’s Washington Heights neighborhood (the building she lived is still there, at 573 West 159th Street).
  • In the early 1920s, Arthur worked as stenographer. She also did some commercial modeling, and it was via her modeling work that she was discovered by Fox Film Studios, who thought she could be remade into a “flapper” type. She made her debut in Cameo Kirby (1923), directed by John Ford.
  • It’s said that she took her stage name from two of her heroes: Joan of Arc and King Arthur (we are skeptical of this, to be honest, but we are merely reporting what’s long been claimed).
  • Arthur’s trademarks as an actress were her comic timing and her distinctive voice, which Frank Capra described in his autobiography as “low, husky—at times it broke pleasingly into the high octaves like a thousand tinkling bells.”
  • Arthur was named one of the WAMPAS Baby Stars of 1929, along with Anita Page, Helen Twelvetrees and Loretta Young, among others.
  • Her film career floundering in the early 1930s, Arthur returned to New York City to hone her acting chops in a series of Broadway productions. Having gained confidence in her abilities, she returned to Hollywood in 1934, signing a five-year contract with Columbia Pictures that brought her financial stability. She also went blonde and would remain so throughout her career.
  • Arthur was convinced her left side was her best side, and she insisted on being filmed from that side whenever possible.
  • Arthur made three pictures with director Frank Capra, all of them very successful: Mr. Deeds Goes to Town (1936), You Can’t Take It with You (1938) and Mr. Smith Goes to Washington (1939). Capra once named her as his favorite actress.
  • The borderline reclusive Arthur was reluctant to participate in publicity efforts for her pictures. she was not active in the Hollywood social whirl and was hesitant to give interviews.
  • Arthur received one Academy Award nomination, in the Best Actress in a Leading Role category for The More the Merrier (1943). A year earlier, she won the Sour Apple Award from the Hollywood Women’s Press Club, which was given to the year’s “Least Cooperative Actor/Actress.”

Happy birthday, Jean Arthur, wherever you may be!

Jean Arthur

Happy 117th Birthday, Colleen Moore!

Actress Colleen Moore was born Kathleen Morrison 117 years ago today (or was it 114 years—there’s some debate about that) in Port Huron, Michigan. She was one of the biggest stars of the silent era and made flappers safe for the average American. Here are 10 CM Did-You-Knows:

  • Her childhood was a happy one and her parents happy together, much in contrast to that other actress who was famous for portraying flappers, Clara Bow.
  • She was fascinated with motion pictures from childhood and dreamed even as a child of being a movie star.
  • When she was a teenager, her uncle, who was editor of The Chicago Tribune, arranged with D. W. Griffith, with whom he was acquainted, for his niece to be given a shot in Hollywood. Griffith agreed, giving Moore five small roles in her first year in Hollywood.
  • Moore had one blue eye and one brown one.
  • She was one of the WAMPAS Baby Stars of 1922.
  • Moore was one of the women most responsible for popularizing the then-controversial bobbed haircut for women.
  • There were two stockbrokers among her four husbands, and Moore was quite savvy in investing her money. As a result, she was very comfortable financially throughout her life and even wrote an investment guide to advise and encourage women to become investors.
  • Moore’s hobby was building extravagant doll houses, the eighth of which became known as “The Enchanted Castle,” took a decade to build, employed dozens of craftsmen, toured the world to raise money for charity, and is now on public display at the Museum of Science & Industry in Chicago.
  • She claimed to have discovered actress Loretta Young and even to have suggested she change her name from Gretchen to Loretta.
  • After appearing in just a few talking pictures, Moore retired from motion pictures in 1934. She later was a partner in the investment firm Merrill Lynch.

Happy birthday, Colleen Moore, wherever you may be!

Colleen Moore

Happy 112th Birthday, George Brent!

George Brent, born George Brendan Nolan 112 years today in Ballinasloe, County Galway, Ireland, enjoyed an odd sort of career. By any measure, he achieved great success, but outside movie-buff circles, he’s all but forgotten today. Odd, considering that when he arrived in Hollywood, he was touted as the next Clark Gable. The comparison seems almost laughable today, so low-key was Brent compared to the man once known as the King of Hollywood.

George Brent was a rebel during the Irish War of Independence, though how active he was is open to question; he acknowledged having served as a courier for IRA leader Michael Collins. In any case, the British government put a price on his head, at which point Brent (then Nolan) saw fit to hightail it to the United States.

Brent started his career in the theatre, touring in a production of Abie’s Irish Rose and acting in stock theatre around the country. In 1927, he debuted on Broadway in Love, Honor and Obey. Also in the cast? None other than Clark Gable.

Brent headed for Hollywood a couple of years later, appearing in minor roles for Universal and Fox before signing a contract with Warner Brothers in 1932. It was at Warners that Brent achieved his greatest success. Perhaps the greatest strength of his low-key (but hardly milquetoast) on-screen persona was that he was a perfect complement to strong leading women, holding his own but never overshadowing them.

George Brent

Given how little he’s remembered today, it’s remarkable to consider how often George Brent worked with some of the most iconic actresses of the Golden Age of Hollywood. He made eleven features with Bette Davis (enjoying an offscreen romance with her as well), six with Kay Francis, five with Barbara Stanwyck, four with Ruth Chatterton (to whom he was married from 1932–1934) and two with Myrna Loy. He also played opposite Ruby Keeler, Greta Garbo, Ginger Rogers, Madeleine Carroll, Jean Arthur, Merle Oberon, Ann Sheridan (to whom he was married from 1942–1943), Joan Fontaine, Claudette Colbert, Dorothy McGuire, Loretta Young, Lucille Ball and Yvonne De Carlo. That’s a line-up of costars that any leading man might envy.

By the late 1940s, Brent was appearing in mostly B pictures, and he retired from films in 1953, though he continued to act on television for another seven years. He was married five times, and if you read some of his early interviews, it’s not hard to see why most of those marriages didn’t work out. Brent clearly had no interest in being tied down and seemed to resent the responsibilities that relationships carried with them. “No woman will ever own me,” Brent once said. “I own myself.”

But he and his fifth wife, former model and dress designer Janet Michaels, were together for 27 years until she passed away in 1974.

George Brent, who suffered in later years from emphysema, died in 1979 in Solana Beach, California.

Happy birthday, Mr. Brent, wherever you may be!