The Twisting Path to a Merry Little Christmas

Our favorite Christmas song has long been Mel Tormé and Bob Wells’ The Christmas Song, made famous by Nat “King” Cole (and really, no one else need tackle the song—every other artist who’s taken a stab at it has fallen short, in our eyes), but coming in a close second is Have Yourself a Merry Little Christmas, credited to Hugh Martin and Ralph Blane (though Martin has since claimed he wrote it alone, with Blane’s encouragement) and introduced by Judy Garland in Vincent Minnelli‘s Meet Me in St. Louis (1944).

Judy Garland in 'Meet Me in St. Louis'

From its familiar opening lyrics—Chestnuts roasting on an open fire, Jack Frost nipping at your nose, yuletide carols being sung by a choir, and folks dressed up like EskimosThe Christmas Song celebrates an idyllic holiday season, but let’s face it, for many, the holidays carry with them a tinge of melancholy—especially in difficult times like these—and Have Yourself a Merry Little Christmas openly acknowledges the bluer side of the yuletide.

In the lyrics as we know them, that melancholy is leavened by a certain “keep-your-chin-up sticktuitiveness,” but it wasn’t always so.

The first set of lyrics Martin delivered, which I found in this very informative 2007 Entertainment Weekly story by Chris Willman, were downright maudlin, intended to fit the mood of Garland’s character, who, at the point in the picture at which she sings the song, is upset that her father is moving the family from her beloved St. Louis to New York City.

The story has it that director Minnelli and Garland urged Martin to come up with something just a bit less gloomy, and he agreed, soon delivering a second set of lyrics, the ones Garland sings to young sister Margaret O’Brien in the movie.

Then, in 1957, Frank Sinatra, who was recording a Christmas album called A Jolly Christmas, asked Martin to kick the the Christmas cheer up yet another notch. He specifically asked the composer to revisit the line in the final verse about “muddling through,” and that’s how we came to have the line about hanging a shining star upon the highest bough in yet a third set of lyrics to the song.

Most folks are familiar with versions two and three—Linda Ronstadt melds the two sets of lyrics in her recording of the song—if not with the original gloomy lyrics.

But did you know Martin wrote a fourth set of lyrics? In 2001, the composer, then 86 years old, wrote an overtly religious set of lyrics to the song, entitled Have Yourself a Blessed Little Christmas.

Listen: Judy Garland—Have Yourself a Merry Little Christmas


Listen: Frank Sinatra—Have Yourself a Merry Little Christmas

This post originally appeared in slightly different form on December 10, 2010.

Happy 125th birthday, Ernst Lubitsch!

The great—and we do mean greatErnst Lubitsch was born 125 years ago today in Berlin, Germany. He would go on to direct some of the greatest comedies in cinema history. Here are 10 EL Did-You-Knows:

Lubitsch’s parents were Ashkenazi Jews; his father was a tailor who hoped that his son would follow in his footsteps, but Ernst was interested in the theatre.

Lubitsch began his career as an actor, making his film debut in 1913 in The Ideal Wife. He directed his first picture in 1914. He would go on to act in approximately thirty films before making the switch to directing fulltime in 1920.

In 1922, Lubitsch was hired as a director by Mary Pickford and came to Hollywood. He and Pickford didn’t get along while they made their first and only picture, Rosita, together, but he was quickly offered a six-picture deal by Warner Brothers that gave him his choice of cast and crew and final edit privileges.

Lubitsch’s reputation for creating sophisticated comedies began in the silent era, but it was with the rise of talking pictures that he really found his stride. Many of his early sound pictures—The Love Parade (1929), Monte Carlo (1930) and The Smiling Lieutenant (1931) among them—were musicals that certainly featured elements of the stylish comedic work he would come to be associated with, but it was with his 1932 masterpiece, Trouble in Paradise (1932), that he made his first big splash in the genre of romantic comedy. He would make no more dramas after Broken Lullaby (1932).

After several years with Paramount Pictures, Lubitsch was named the studio’s production manager, making him the first director to run a major studio.

In 1939, Lubitsch moved to MGM, where he directed Ninotchka. Though he was longtime friends with the picture’s star, Greta Garbo, Ninotchka was the first and last time the pair would work together.

Billy Wilder cited Lubitsch as his favorite director. He is said to have had a sign over the door in his office that read, “How Would Lubitsch Do It?”

The Lubitsch classic The Shop Around the Corner (1940) was remade twice: In 1949 as a musical (In the Good Old Summertime, starring Van Johnson and Judy Garland) and in 1988 as a romantic comedy (You’ve Got Mail, starring Tom Hanks and Meg Ryan). The 1963 Broadway musical She Loves Me was also based on the film’s source material, the play Parfumerie by Hungarian playwright Miklós László.

Lubitsch’s unique blend of wit and sophistication came to be known in Hollywood and around the world as “the Lubitsch Touch,” a label which critic Michael Wilmington ably described: “At once elegant and ribald, sophisticated and earthy, urbane and bemused, frivolous yet profound. [Lubitsch’s pictures] were directed by a man who was amused by sex rather than frightened of it—and who taught a whole culture to be amused by it as well.” We couldn’t agree more.

In 1946, Ernst Lubitsch received an honorary Academy Award for his distinguished contributions to the art of the motion picture. He died of a heart attack the next year.

Happy birthday, Ernst Lubitsch, wherever you may be!

Ernst Lubitsch

Happy 107th Birthday, Johnny Mercer!

Lyricist, composer and singer Johnny Mercer, one of the greatest lyricists to contribute to the Great American Songbook, was born John Herndon Mercer 107 years ago today in Savannah, Georgia. Here are 10 JM Did-You-Knows:

  • Mercer’s father was an attorney; his mother was his father’s secretary before she became his second wife.
  • Mercer was exposed to a wide range of African-American music as a child. His aunt took him to minstrel and vaudeville shows, and he spent time with many black playmates (and his family’s servants). He also was drawn to Savannah’s black fishermen and street vendors, as well as African-American church services. As a teenager, he collected records by black artists such as Ma Rainey, Bessie Smith and Louis Armstrong.
  • Mercer was singing in church choirs by age six, and within a few years, had demonstrated a penchant for memorizing all the popular songs of the day.
  • His family frequently escaped Savannah’s heat at a mountain retreat near Ashville, North Carolina, and it was there that young Mercer learned to dance from none other than Arthur Murray himself.
  • Mercer moved to NYC in 1928, taking bit parts as an actor and continuing to work on the songwriting he’d begun to experiment with back in Savannah. He took a job at a brokerage house to pay the bills, and began to sing around town. He once pitched a song to Eddie Cantor, and though Cantor didn’t buy the song, he was very encouraging to Mercer.
  • Mercer preferred writing standalone songs to writing for musicals, where the lyrics had to fit the show, so when the revue format gave way to book musicals on Broadway, he moved to Los Angeles and took a job with RKO.
  • Mercer founded Capitol Records with songwriter Buddy G. DeSylva and businessman Glenn Wallichs in 1942, investing $25,000. In 1955, he sold his share in the company for $20 million.
  • Mercer was married to Ginger Mehan from 1931 until his death in 1976, but he had an on-and-off affair with Judy Garland.
  • A fan once wrote Mercer, suggesting the song title I Wanna Be Around (to Pick Up the Pieces When Somebody Breaks Your Heart). Mercer quickly wrote a song by that title, and when it became a hit, he gave the fan half his royalties.
  • Mercer was a distant cousin of Gen. George S. Patton.

Happy birthday, Johnny Mercer, wherever you may be!

Johnny Mercer

Happy 103rd Birthday, Burt Lancaster!

Burt Lancaster was born 103 years ago today in Manhattan, New York, and rarely has a movie star taken his acting more seriously. Here are 10 BL Did-You-Knows:

  • All four of Lancaster’s grandparents came to the United States from Northern Ireland. His father was a postal worker.
  • As a kid, Lancaster was interested in gymnastics and he eventually joined the circus, where he remained until he sustained an injury. He graduated in 1930 from DeWitt Clinton High School in the Bronx.
  • Lancaster was nominated four times for the Best Actor in a Leading Role Oscar, winning once, for Elmer Gantry (1960).
  • After actor John Garfield turned down the role of Stanley Kowalski in the original Broadway production of A Streetcar Named Desire, it was offered to Lancaster, who also passed. It’s said that Lancaster, given the acclaim that came to Marlon Brando in that role, felt competitive thereafter with Brando and was inspired to become more adventurous in his own choice of projects.
  • Lancaster, whose political views were liberal, flew back from Europe, where he was making a film, to take part in Martin Luther King‘s March on Washington for Jobs and Freedom on August 1963, where he was joined by other stars, among them Brando, Sammy Davis Jr., Charlton Heston, Judy Garland, Eartha Kitt, Harry Belafonte, Sidney Poitier and Paul Newman. Lancaster also contributed financially to Dr. King’s work and to the Southern Christian Leadership Conference.
  • Lancaster always stipulated that a high bar be made available on set while he was making a film, so that he could exercise in between scenes.
  • Lancaster’s son Bill Lancaster, screenwriter for The Bad News Bears (1976), based that script on his own Little League experiences playing for his father, who coached his team.
  • Lancaster’s first television role was a 1969 guest appearance on Sesame Street.
  • Lancaster’s was among the 575 names on Richard Nixon‘s infamous “enemies list.”
  • Among the prominent roles Lancaster turned down were Moses in the 1959 remake of Ben-Hur (he was offered $1 million for the role) and Gen. George S. Patton in Patton (1970). A role he avidly pursued but was denied was Don Corleone in The Godfather (1972).
  • Though they were closely associated in the minds of many fans, Lancaster and Kirk Douglas, who made seven films together between 1948 and 1986, did not enjoy a close relationship.

Happy birthday, Burt Lancaster, wherever you may be!

Burt Lancaster