The Oscars, 1945 Style

We enjoy the occasional award show, but Oscar night is our favorite because of the history and tradition associated with it. The Academy Awards debuted way back in 1927; 2015 marks the 87th presentation of these storied statuettes.

As we post this, the chances are pretty good that you are prepping your home prior to the arrival of guests for your Oscar party or perhaps making a batch of guacamole (hopefully, you’re using Boris Karloff’s recipe) to take to a friend’s Academy Awards gathering. If so, we’ve got the perfect hour’s worth of listening to accompany those chores.

Oscar winners Barry Fitzgerald, Ingrid Bergman and Bing Crosby

The 17th Academy Awards ceremony, held on March 15, 1945, at Grauman’s Chinese Theatre, was the first to be broadcast nationally on the radio (on the Blue Network, the precursor to ABC) and also the first to feature clips from the various nominated pictures. And what pictures they were! Double Indemnity, Going My Way, Lifeboat, Gaslight and The Miracle of Morgan’s Creek are just a few of the classic pictures that were nominated for the top awards that year.

Host Bob Hope was in top form that night, and the proceedings came off in a mere 66 minutes. And you, dear reader, can experience that magical evening anew by clicking the link below.

The 17th Academy Awards ceremony; Bob Hope, host (1:06:29)

Cladrite Classics: As Time Goes By…

We first shared this post a year ago today, and you can expect to see it a year from now, too, and a year after that…

Interior of Hollywood TheaterSeventy-one years ago today, at the Hollywood Theater—at the corner of 51st and Broadway in New York City—the greatest (well, in any case, our favorite) motion picture ever filmed made its debut.

We’ve seen Casablanca countless times, and, God willing, we’ll see it many more times before we depart this mortal coil. It’s well nigh perfect. The world’s been a better place for the past seven decades for it being around.

The Hollywood was eventually renamed the Mark Hellinger Theatre, playing host for decades to live Broadway productions.

Today, the building, its interior largely unchanged from its days as a movie palace, is home to Times Square Church. If you find yourself in Manhattan and wish to make a pilgrimage to the spot where this great picture was first screened for the public, now you know where to go.

Esther Williams: A Life Aquatic

Esther WilliamsWe were sorry to learn that the always lovely Esther Williams has backstroked off to the deep end of the pool at the age of 91.

So we thought it an apt time to share (once again) with the Cladrite community an interview we did with the divine Ms. Williams some years ago on the occasion of the publication of her memoir, The Million Dollar Mermaid: An Autobiography.

Enjoy! But wait at least an hour after eating before beginning this Q&A.

An Interview with Esther Williams

Cover of Esther Williams' Million Dollar MermaidIn the 1940s and ’50s, Esther Williams was one of the brightest stars in MGM’s galaxy. Her movies, with their memorable Busby Berkeley-choreographed aquatic extravaganzas, remain hugely popular today in revival houses and on cable television.

And now, with the publication of her autobiography, Williams shares candid tales of her life as Hollywood’s “Million Dollar Mermaid.” We chatted with Ms. Williams about a wide range of topics, from her husband Fernando Lamas‘s sometimes philandering ways to cross-dressing in Hollywood. It was a conversation as lively and open as her book, The Million Dollar Mermaid: An Autobiography.

As we read your book, it struck us that you’ve have had a life filled with extreme highs and lows. There have been so many wonderful chapters in your life, but so many sad and tragic events as well.

Fernando Lamas and Esther WilliamsIt’s the idea that you’re smiling underwater—doing the impossible!—and then going home to a life that’s unraveling around you…I was struck with it, too. You know, writing your autobiography is therapy. You get in tune with a lot of things you thought you’d forgotten.

Fernando [Lamas] had asked me years ago not to be in the movies or television or do interviews anymore; as I say in my book, he asked, “Can you stop being Esther Williams?” And I said, “Well, that’s an interesting idea; I’ve been her for a lot of years. Let’s see how I do without her.”

And when Fernando died in 1982, the thing I noticed about the death of a life partner, especially one as difficult as Fernando was—when they go, you’re out of a job! The first person that called me after he died was Shirley Maclaine, who is my friend, and she said, “Well, Esther, you can finally get out of the house.” And I thought, Oh, Shirley, you tell it like it is. I’m so very fond of her.

Katharine HepburnAnd then Barbara Walters called. And I said, “Oh, Barbara, I haven’t been photographed in 20 years!” The one thing that Katharine Hepburn said that really made sense to me is that good thing about the talk shows is that people get to watch you rot. And I said, “I’ve been rotting in private!” And she said, “I’ve seen you at parties and you don’t look like you’re rotting to me. I want you to come and do one of my specials.” I said, “I’m not going to look good next to Jane Fonda or Sally Field.” And she said, “I won’t put you next to Jane Fonda and Sally Field; I’ll put you in the middle segment—we’ll put Mr. T before you and Howard Cosell after you, two of the ugliest men in the world.” And I said, “Oh, then I’ll do the show—of course!” [laughs]

Early in the book you detail a clinical experience with LSD. Later, you reveal that you were the victim of a rape at the hands of a family friend when you were a young woman, that your older brother died a tragic death when he was just in his teens. Was the book a form of catharsis for you?

You know, we seem to acquire, as we age and deal with various diminished capacities, an ability to articulate our feelings. To say, “No, no, you don’t understand. It wasn’t that way; it was this way.” And what happened to me is that, when I would go through the problems of day-to-day living, it was always wonderful to go to the studio and dive into that wonderful water. The water was very healing for me, and it remains so even today. I’m in my 70s. I had a knee replaced not so long ago and was going through physical therapy, and it hurt, you know? They’ve got to bring the muscles along, and it hurts.

So I said to Mark, my physical therapist—he came to my house to work with me, and he didn’t know how to swim—I said, “You’re $60 an hour, Mark. And you hurt. I don’t want to be hurting anymore; I’m going to get in the pool. And I tell you what we’ll do—we’ll call the $60 a push, because that’s what I’ll charge you for your swimming lesson. And I got him swimming, and he loved it.

What an opportunity for him, to receive a swimming lesson from Esther Williams! That’s a rare opportunity.

Artur RubensteinI thought it was worth the $60! Candy Bergen rang my doorbell one day and said, “I want [her daughter] Chloe to learn to swim.” And I said, “If you wanted her to learn to play piano, would you ring Artur Rubenstein‘s door?” And she said, “I don’t care if she plays piano, but she’s got to learn to swim.” And I said, “Yes, that’s true. Because that can save her life. Piano won’t ever save her life.”

Are you pleased—or perhaps surprised—by the rise of women’s athletics? Would you ever have imagined the sort of attention that’s been lavished on the U.S. women’s soccer team or the Olympic basketball players and gymnasts?

And synchronized swimming! It’s an Olympic sport now. Yes, it’s very exciting.
Read More »

As Time Goes By…

Interior of Hollywood TheaterSeventy years ago today, at the Hollywood Theater—at the corner of 51st and Broadway in New York City—the greatest (well, in any case, our favorite) motion picture ever filmed made its debut.

We’ve seen Casablanca countless times, and, God willing, we’ll see it many more times before we depart this mortal coil. It’s well nigh perfect. The world’s been a better place for the past seven decades for it being around.

The Hollywood was eventually renamed the Mark Hellinger Theatre, playing host for decades to live Broadway productions.

Today, the building, its interior largely unchanged from its days as a movie palace, is home to Times Square Church. If you find yourself in Manhattan and wish to make a pilgrimage to the spot where this great picture was first screened for the public, now you know where to go.

You screened it for her, you can screen it for me…

Like most movie buffs, we occasionally are asked to name our favorite movie.

At first thought, it seems a difficult question. After all, there aren’t many genres of movies we don’t enjoy, and we happily watch pictures more than a century old and the latest releases. We have a list of favorite directors as long as our arm and a list of favorite actors and actresses as long as our leg.

But in the end, it’s really not that tough a call. For our money, Casablanca is the perfect movie—or the closest we’ve ever seen to it. Amazing performances from the whole cast, from Bogart and Bergman down to the tiniest bit roles. A witty, suspenseful, and moving script that deftly combines romance, drama, and humor and features some of the most celebrated dialogue and memorable scenes ever committed to celluloid.

We’ve seen Casablanca a dozen times or more, most of those on a big screen, surrounded by a collection of appreciative fellow movie buffs. It’s one of the benefits of living in a city like New York; we get to see an amazing range of movies from across a century-plus of cinema in theatres.

But there are plenty of burgs where a movie classic like Casablanca can be seen only on television, on a DVD or when Turner Classic Movies airs it. So I got excited—not for myself, but for the millions of Americans living somewhere other than NYC or Los Angeles or Chicago or San Francisco or half dozen other cities that have outlets for viewing classic movies in theatres—when I learned that on Wednesday, March 21, TCM is commemorating the movie’s 70th anniversary with a one-time digital screening of this classic in more than 335 theatres across the country. There will be an introductory short starring TCM host Robert Osborne, who will “take audiences behind the scenes of this epic love story.”

Every theatre is showing the movie at 7 p.m., so in each time zone, thousands of moviegoers will be watching it simultaneously. We love that.

There’s a good chance there’s a participating theatre near you. If you’ve never seen this wonderful movie on a big screen with an audience of fellow movie fans, you owe it to yourself to attend. Tickets went on sale today.