Happy birthday, Harpo!

Today marks the 124th anniversary of the birth of the great Harpo Marx.

Born Adolph—he later changed his name to Arthur—Harpo was said by all who knew him to be the kindest and gentlest of men. When we first became fans of the Marx Brothers, it was Groucho to whom we were drawn, but over the years, the delightful film work of Harpo—and the very endearing stories of his life and career—have made Harpo a very close second favorite. If Groucho stills leads, it’s only by a nose.

There are a couple of stories from Harpo’s life that we like to share.

There’s the time that Harpo, after a run-in with the manager of a vaudeville theatre in the midwest, proclaimed, as the brothers departed the town via train, “Good-bye, Mr. Wells. Here’s hoping your lousy theatre burns down!”

That night, Mr. Wells’ theatre was indeed reduced to ashes.

Another tale we’ll let Harpo himself tell. What follows is an except from Harpo’s delightful 1961 memoir, Harpo Speaks!

One of the passionate hungers of my early life (I had many but none so fierce) was for black jelly beans. In the penny assortment they sold in those days there was never more than one of licorice, and eating one black jelly bean at a time only intensified my hunger. Penny assortments were few and far between, for me. Candy counters on the East Side were as thief-proof as bank vaults. Candy was one item I couldn’t hustle. No penny in hand, no merchandise.
I told myself I should always save such a delicacy as a black jelly bean for last, like dessert, but I never could. It was like being addicted to peanuts, cigarettes or the opium pipe. One was never enough. The first thing I would do when I got rich, I promised myself, would be to buy all the black jelly beans I could eat.
When I did start making good money, this boyhood hung had somehow become dormant. I forgot all about it. I forgot about it, that is, until one night about fifteen years ago.
My wife Susan and I were going to the movies with Gracie and George Burns in Beverly Hills. On the way to the theatre from the parking lot, we passed a candy shop, the ultra-modern kind that sells old-fashioned candies in glass apothecary jars. I stopped in my tracks. I broke into a cold sweat. I was having a seizure. My old hunger for black jelly beans had suddenly returned, after forty-five years. I excused myself and went into the shop.
I came out with thirty dollars’ worth. Susan and the Burnses gave me queer looks but made no comment. They waited to see what the gag was. How could I explain to them that this was no gag, but the satisfaction of a lifetime?
And what a satisfaction! Sweet, aromatic, chewy, delectable black jelly beans—a handful at a time, and always more where the last handful came from! I shall have to let my friend George finish the story because I fell asleep in the middle of my orgy.
I must warn you that George Burns is not above a little exaggeration now and then, but here’s how he tells it:
“So there’s Harpo, in the middle of the picture in a crowded theatre, fast asleep. He’s got a smile on his face like a happy drunk and on his lap a bag of jelly beans big as a peck of potatoes which he’s passed out already from eating only a couple of dozen of. Suddenly he twitches in his sleep. The bag splits. Thirty dollars’ worth of black jelly beans explodes—flying all over the joint. Do you know how many jelly beans you can buy for thirty dollars? My God, what a scene! The audience doesn’t know what’s happening, only that it’s some kind of disaster. People are yelling and clutching their children and putting up umbrellas. They stampede for the exits and skid on the jelly beans rolling down the aisles and fall into heaps like dead Indians. I tell you, it was worse than the Johnstown flood. finally they stop the picture and turn on the lights, and the manager gets the panic stopped while the ushers shovel up the debris.
“And Harpo? Harpo slept through it all. Fast asleep with the drunken smile on his face. When the movie is over, Susan wakes him up and when he sees his jelly beans are gone he turns on me and says he ought to slug me one for such a dirty, sneaky trick. Eating all his black jelly beans while he wasn’t looking!
“Then he softened up—it being impossible for Harpo to stay sore at anybody, even me—and he patted me on the shoulder. ‘That’s all right,’ he said. ‘I’ll forgive you, George—I had enough anyway.’
“I try to tell him what happened, but he won’t believe me, just keeps saying, ‘Forget it, George—I forgive you.’ To this day he thinks I ate up his whole damn bag of black jelly beans.”
I will only say that this of the story is true: I ready had enough, for once in my life. I don’t care what happened to the rest of the thirty dollars’ worth. That’s one old hunger that will never bother me again.

You can't spell "Mother" without OTR

It’s been a bit quiet around here of late—we even missed posting a Pitch Perfect on Monday for the first time since that recurring feature debuted—as we’ve been under the weather (we’re also job-hunting, which, by necessity, claims much of our time), but we did want to share the following:

Mother’s Day, as ads and emails remind all of us relentlessly, is just around the corner, and the good folks at OTRcat.com, purveyors of collections of old-time radio programming, are offering a number of programs free for the streaming.

All the shows have a “Mother” theme, natch, but a number of genres are covered: dramas, cop shows, private eye programs, westerns, and, as you can see below, comedies.

We’re sharing a Burns and Allen program entitled “Gracie’s Mother Visits” that originally aired on May 20, 1948, in which George has an encounter with his mother-in-law that finds him having to repair all the plumbing and electrical wiring in his home.

Burn and Allen: “Gracie’s Mother Visits” (25:09)

We think you’ll find the offerings at OTRcat well worth your consideration, and at these prices—free—they certainly can’t be beat.

P.S. If you’re still in the market for a Mother’s Day present, you could do a lot worse than buying your dear mom a VIP Live365 membership. She’ll be able to listen to Cladrite Radio and hundreds of other Live365 stations commercial-free, and you’ll be showing your support for the music here at Cladrite Radio (we get a cut of membership fees). Just follow the VIP membership link to the left for more info.

In Your Hat, pt. 8

Here’s Chapter 8 of In Your Hat, the 1933 tell-all memoir by Hat Check Girl to the Stars, Renee Carroll, in which she shares tales of by the many celebrities she encountered while working at Sardi’s, among them George Burns and Gracie Allen, Eddie Cantor, George Jessel, Norma Talmadge, George Raft, Wallace Reid, Ginger Rogers, Douglas Fairbanks, and many more.

     A STOOGE, in Broadway parlance, is the assist in the act. If you do an accordion routine and a heckler is paid by you to annoy your act from the box, then you’re probably Phil Baker and your stooge eventually becomes as famous as you are. Witness Sid Silvers of Take a Chance fame.
     Broadway is full of stooges, both in real life and on the stage. It may sound strange to you but the jester in the king’s court from the time of The Erl King (I don’t know why they insist on spelling Oil as Erl) has been brought down the years until now he is labeled “stooge.” His job is to take he hard knocks, furnish the opportunity for the gag to be sprung, and appear the perfect fool.
     When Phil Baker, who pumps a mean accordion, opened in a show in New York and had a stooge in the box doing the regular routine, Al Boasberg, the gagman who writes funny lines for a dozen or more comedians, wired Baker:

  LIKED YOUR ACT STOP THE OLD
GENT WITH THE ACCORDION WAS
GOOD TOO.


     Gracie Allen, of the famous team of Burns and Allen, is the stooge of the act, even though it is she who pulls all the funny lines. Recently she gave George Burns cause to laugh when she came to him with an idea.
     “Georgie, dear,” Gracie said. “I have an idea.”
     “Well, let’s forget it,” George answered characteristically, knowing it would bring on the usual headache.
     “I’ve thought of a line for our act,” she continued.
     “All right,” gave in George. “What is it?”
     “I can’t tell you until I’ve gotten a prop.”
     “What sort of a prop?”
     “A muff.”
     “What’s a muff?” George wanted to know.
     “It’s one of those things women used to carry around so that they could hold hands with themselves.”
     “All right, Gracie, get yourself a muff and let’s have the gag.”
     She went to the best furrier on the Avenue and ordered a muff made. It has to be matched sables, four skins, exquisitely sewn. The muff cost $250 and she charged it to Geroge Burns, her husband. She brought it to him one day.
     “Here’s the muff, George.”
     He examined it carefully. He approved.
     “I got it at a bargain, George.”
     George immediately became suspicious.
     “How much, Gracie? How much?” he pleaded.
     “Well—er—two hundred and—er—fifty dollars.”
     George felt around for support.
     “Two hundred and fifty smackers for that thing? Gracie, you’ll ruin me!”
     “But it’s a bargain, George, and the furrier let me have it at that price because there are two holes in it!”
     And she held up the muff to show him the holes in which one is supposed to insert one’s hands. Burns was nonplused.
     “But what about the gag?” he wanted to know. “Is the gag worth $250?”
     “Why, George,” giggled the she-stooge, “I just did it. You see, I come on with this muff and you ask me how much I paid for it and I say: ‘I got it at a bargain because it had two holes in it.”
     With which Mr. Burns fainted dead away. And that’s how jokes are born in case you’re interested.
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