Here are 10 things you should know about singer and actor Cliff “Ukulele Ike” Edwards, who was a much bigger star in his heyday than most would guess today.
Gene Kelly was born 104 years ago today in Pittsburgh, Pennsylvania, which seems apt, given that he was something of a blue-collar hoofer. As Kelly once put it, “Fred Astaire represented the aristocracy, I represented the proletariat.” Here are 10 GK Did-You-Knows:
- Kelly’s father was of Irish descent, and his mother was Irish and German.
- Kelly’s father was Al Jolson‘s road manager in the 1920s.
- He attended Penn State University for a while before graduating from the University of Pittsburgh with a degree in economics.
- At Pitt, Kelly was a member of the Phi Kappa Theta fraternity.
- He and his younger brother, Fred, had a dance act in vaudeville. Fred eventually replaced Gene as Harry the Hoofer in the 1939 Broadway production of The Time of Your Life.
- While Kelly was starring in Pal Joey on Broadway, he signed a contract with producer David O. Selznick. Selznick, after struggling to find a suitable role for Kelly, sold his contract to MGM.
- Kelly was fighting a high fever while filming the iconic rain scene in Singin’ in the Rain.
- The first two of Kelly’s three wives were dancers.
- He was a dance consultant for Madonna‘s 1993 Girlie Show tour.
- Kelly was awarded the National Medal of Arts by President Bill Clinton in 1994.
Happy birthday, Gene Kelly, wherever you may be!
There are so many mashups out there that our eyes sometimes glaze over, but this one we can heartily and happily recommend. Nerd Fest UK has paired Mark Ronson and Bruno Mars’ fun and funky “Uptown Funk” with some wonderful dance moves of the Golden Age of Hollywood, and it works beautifully. Enjoy!
We were sorry to learn that the always lovely Esther Williams has backstroked off to the deep end of the pool at the age of 91.
So we thought it an apt time to share (once again) with the Cladrite community an interview we did with the divine Ms. Williams some years ago on the occasion of the publication of her memoir, The Million Dollar Mermaid: An Autobiography.
Enjoy! But wait at least an hour after eating before beginning this Q&A.
An Interview with Esther Williams
In the 1940s and ’50s, Esther Williams was one of the brightest stars in MGM’s galaxy. Her movies, with their memorable Busby Berkeley-choreographed aquatic extravaganzas, remain hugely popular today in revival houses and on cable television.
And now, with the publication of her autobiography, Williams shares candid tales of her life as Hollywood’s “Million Dollar Mermaid.” We chatted with Ms. Williams about a wide range of topics, from her husband Fernando Lamas‘s sometimes philandering ways to cross-dressing in Hollywood. It was a conversation as lively and open as her book, The Million Dollar Mermaid: An Autobiography.
As we read your book, it struck us that you’ve have had a life filled with extreme highs and lows. There have been so many wonderful chapters in your life, but so many sad and tragic events as well.
It’s the idea that you’re smiling underwater—doing the impossible!—and then going home to a life that’s unraveling around you…I was struck with it, too. You know, writing your autobiography is therapy. You get in tune with a lot of things you thought you’d forgotten.
Fernando [Lamas] had asked me years ago not to be in the movies or television or do interviews anymore; as I say in my book, he asked, “Can you stop being Esther Williams?” And I said, “Well, that’s an interesting idea; I’ve been her for a lot of years. Let’s see how I do without her.”
And when Fernando died in 1982, the thing I noticed about the death of a life partner, especially one as difficult as Fernando was—when they go, you’re out of a job! The first person that called me after he died was Shirley Maclaine, who is my friend, and she said, “Well, Esther, you can finally get out of the house.” And I thought, Oh, Shirley, you tell it like it is. I’m so very fond of her.
And then Barbara Walters called. And I said, “Oh, Barbara, I haven’t been photographed in 20 years!” The one thing that Katharine Hepburn said that really made sense to me is that good thing about the talk shows is that people get to watch you rot. And I said, “I’ve been rotting in private!” And she said, “I’ve seen you at parties and you don’t look like you’re rotting to me. I want you to come and do one of my specials.” I said, “I’m not going to look good next to Jane Fonda or Sally Field.” And she said, “I won’t put you next to Jane Fonda and Sally Field; I’ll put you in the middle segment—we’ll put Mr. T before you and Howard Cosell after you, two of the ugliest men in the world.” And I said, “Oh, then I’ll do the show—of course!” [laughs]
Early in the book you detail a clinical experience with LSD. Later, you reveal that you were the victim of a rape at the hands of a family friend when you were a young woman, that your older brother died a tragic death when he was just in his teens. Was the book a form of catharsis for you?
You know, we seem to acquire, as we age and deal with various diminished capacities, an ability to articulate our feelings. To say, “No, no, you don’t understand. It wasn’t that way; it was this way.” And what happened to me is that, when I would go through the problems of day-to-day living, it was always wonderful to go to the studio and dive into that wonderful water. The water was very healing for me, and it remains so even today. I’m in my 70s. I had a knee replaced not so long ago and was going through physical therapy, and it hurt, you know? They’ve got to bring the muscles along, and it hurts.
So I said to Mark, my physical therapist—he came to my house to work with me, and he didn’t know how to swim—I said, “You’re $60 an hour, Mark. And you hurt. I don’t want to be hurting anymore; I’m going to get in the pool. And I tell you what we’ll do—we’ll call the $60 a push, because that’s what I’ll charge you for your swimming lesson. And I got him swimming, and he loved it.
What an opportunity for him, to receive a swimming lesson from Esther Williams! That’s a rare opportunity.
I thought it was worth the $60! Candy Bergen rang my doorbell one day and said, “I want [her daughter] Chloe to learn to swim.” And I said, “If you wanted her to learn to play piano, would you ring Artur Rubenstein‘s door?” And she said, “I don’t care if she plays piano, but she’s got to learn to swim.” And I said, “Yes, that’s true. Because that can save her life. Piano won’t ever save her life.”
Are you pleased—or perhaps surprised—by the rise of women’s athletics? Would you ever have imagined the sort of attention that’s been lavished on the U.S. women’s soccer team or the Olympic basketball players and gymnasts?
And synchronized swimming! It’s an Olympic sport now. Yes, it’s very exciting.
Read More »
We were mulling over the other day some of the posts we thought particularly fun that went live in the weeks and months before Cladrite Radio had accumulated much of a readership. Would it be problematic, we wondered, to revisit some of those posts, under the heading of Cladrite Classics?
No, we decided, it would not. Hence the following revisited offering, which first saw the light of day on May 13, 2010:
Though we’re committed New Yorkers, we wouldn’t mind a bit spending a few weeks—perhaps even a few months—a year in Los Angeles. We even find ourselves daydreaming about the City of Angels quite often.
And yet, we came around slowly on L.A. Our first couple of visits were enjoyable enough, but we didn’t find the city particularly engaging. After a trio of week-long sojourns there over the past decade or so, though, we’ve been won over.
We view the city through a movie buff’s eye, primarily, and so spend our time motoring about checking out movie stars’ homes, vintage movie palaces, and locations that were used in the filming of some of our favorite classic pictures (though we’re also happy just puttering through the various old neighborhoods south of the Hollywood hills—we love the residential architecture in old L.A.).
We didn’t snap the photos shared below; we bought them at a flea market some years back. They’re snapshots taken around Hollywood and its environs back in the day. How old they are, exactly, we’re not sure—we’re inclined to think they’re from the late 1930s, but we’re open to guesses from you, gentle readers. (For larger views, just click the images.)
Fred Astaire’s home
Jack Benny’s home
Claudette Colbert’s home
Sam Goldwyn’s home
Norma Shearer’s home
Robert Taylor’s home
Mary Pickford and Douglas
Grauman’s Chinese Theatre
Grauman’s Chinese Theatre