More Morgan for Your Money

We were watching an old movie the other night. Y’know, like we do. And in a small role as a kindly judge was an actor who reminded us of Frank Morgan, he of The Wizard of Oz (and dozens of other 1930s movies) fame. Only this guy didn’t have the gregarious yet halting manner of speech that Morgan had (or that he affected, in any case). He was much lower key in his approach.

“He was probably up for many of the same roles as Morgan,” we found ourselves thinking as we continued watching. Finally, we turned to our research library (IMDb.com, don’t you know) and learned that the actor in question, whom we were sure we’d seen before but who wasn’t terribly familiar to us, was named Ralph Morgan and was, in fact, Frank Morgan’s older brother.

Boy, was our face red!

The pair were two of eleven siblings born to a well-to-do New York family; their father, George Diogracia Wuppermann, who was born in Venezuela of German and Spanish descent, made his fortune as the co-founder of the firm that distributed Angostura Aromatic Bitters in the United States.

Ralph launched his acting career first, having graduated from Columbia University with a law degree (Frank attended Cornell) before quickly abandoning the law for the theatre. With Ralph having found success in stock theatre and on Broadway, younger brother Frank was encouraged to follow the same path, and as we now know, his success would eventually overshadow Ralph’s.

Frank Morgan Ralph Morgan

Ralph made a few silent pictures in the 1910s, when the film industry was still active on the East Coast, but he eventually moved west, working in motion pictures, radio and television. He was one of the founders and charter members of the Screen Actor’s Guild, serving as the organization’s first president beginning in 1933. Even today, the Ralph Morgan Award is given annually to a SAG member who has provided distinguished service to his fellow actors.

Frank was more active in silent pictures than was Ralph, but it was in the 1930s that he really found his niche, playing blustery, often befuddled middle-aged characters. W. C. Fields was originally slated to play the wizard role for which Morgan is best remembered today, but contractual issues kept the deal from being finalized, so MGM instead turned to Morgan.

Frank was said to be something of a heavy tippler, which may have accounted for his relatively early passing in 1949 at 59. Ralph, born seven years before his younger sibling, also outlived him by nearly seven years, passing away in 1956 at the age of 72.

The Morgans were born with the family name Wupperman, and we wonder at Frank’s decision to also use Morgan as his stage name. It’s likely he did so in an attempt to ride Ralph’s professional coattails to a certain degree, and perhaps he did so with Ralph’s blessing, but we can’t help but wonder if Ralph ever resented Frank’s higher degree of success. We hope not.

A tip of the ol’ Cladrite fedora goes out to both these talented brothers, and while we’re a bit mortified that we weren’t previously aware Frank had an older sibling who was also an actor (we can’t really imagine how that info eluded us all these years), we’re glad to give Ralph his due credit now.

Flirting with the Past

Last night we watched The Lady Objects (1938), a strange and kind of silly drama/musical (drusical?) that finds Gloria Stuart, adorable as ever, playing a hotshot lawyer whose husband (Lanny Ross), a former All-American halfback, a world-class tenor and a hopeful young architect (quite the trifecta, that), resents her success and the demands it places on her time.

A movie poster of THE LADY OBJECTS, 1938

As we said, kind of silly, but entertaining enough, since we get a special kick out of watching any picture that features Ms. Stuart. We were pleased to do a telephone interview with her some years ago when her memoir was published, and we’ll admit to being not a little proud that when we got to meet her in person a few weeks later at her book party in NYC, she flirted with us just the slightest bit. Nothing overt, nothing untoward, but in a room filled almost entirely with the young women of the publishing industry, we stood out, it seems—a young(ish—we were 41 at the time) man who was thrilled to dote on Ms. Stuart, bringing her food and drink, asking her questions about her movie career back in the 1930s and generally behaving in starstruck fashion.

So whenever we see her looking so fetching on the screen, we can’t help but think, That gorgeous movie star once flirted with us, an actress who might have once flirted with Humphrey Bogart, The Marx Brothers, James Cagney, Lee Tracy, Melvyn Douglas, Boris Karloff, Ralph Bellamy, Pat O’Brien, Eddie Cantor, John Boles, Claude Rains, Lionel Atwell, Frank Morgan, Brian Donlevy, Warner Baxter, Dick Powell, Frank McHugh, Don Ameche, Lyle Talbot, George Sanders, Walter Pidgeon, Jack Oakie, and Richard Dix. In any case, she appeared in pictures with each of them (except Bogart and the Marx Brothers, whom she knew socially).

Yes, our brief encounter with Ms. Stuart came more than a half-century after those hypothetical Hollywood flirtations—she was 89 at the time—but if she batted her eyelashes at even one-tenth of her aforementioned costars back in the day, we’d have to say we’re in pretty good company!