A Reynolds wrap

Many years ago, we attended a “Hollywood: Legend and Reality,” an exhibition of movie memorabilia from the Golden Age of Hollywood at the Cooper-Hewitt National Design Museum. The exhibition included such offerings as an eight-inch gorilla figure used in the filming of the original King Kong, the golden calf from Cecil B. DeMille‘s The Ten Commandments, Rudolph Valentino‘s matador costume from Blood and Sand (1922), Tom Mix‘s 10-gallon hat, and best of all, for our money, Sam’s piano from Casablanca. We wanted so badly to reach out and tinkle those tiny keys (the piano’s a miniature, with something fewer than 88 keys, sized so that it might be easily pushed from table to table in a nightclub, as Dooley Wilson does in Rick’s Cafe.

Looking back, we’re now left wondering if a number of the artifacts in that exhibition weren’t loaned by Debbie Reynolds. Reynolds long held out hope that her extensive (to put it mildly) collection of Hollywood memorabilia would one day be housed in a museum, but with no funding forthcoming, she’s now auctioning much of it off. The sale is to be held on June 18.

“My lifetime dream has been to assemble and preserve the history of the Hollywood film industry. Hollywood has been an enormous part of my life as I know it has been for countless fans all over the world. This collection represents a lifetime of collecting Hollywood artifacts and this is a rare opportunity to own a piece of Hollywood History for those who love the movies as much as I do. For the first time in nearly five decades, these iconic pieces will be made available to the public through a series of auctions presented by Profiles in History beginning in June 2011.”—Debbie Reynolds

It’s hard to name a star who’s not represented in Reynolds’ collection. Humphrey Bogart? A brown sport coat he wore in Knock on Any Door (1948) is up for auction. Harpo Marx? One of his familiar top hats with attached blonde wig is included (it was a gift from Harpo to Reynolds many years ago). Judy Garland? There are no fewer than seven items associated with her up for sale, including the blue dress she wore playing Dorothy Gale in The Wizard of Oz.

We could go on and on. It’s a very impressive collection, and frankly, it’s heartbreaking that these amazing pieces will now go into the hands of private collectors, quite possibly never again to be enjoyed by the general public. It’s a crying shame that the collection couldn’t have been kept together and placed on permanent exhibition somewhere, anywhere.

The official website for the auction has much more information (if you’re in the Los Angeles area, you should make it a point to attend the public previews that precede the sale; who knows when you’ll again have the opportunity to see these treasures?). There’s also a bound catalogue for sale on the website for $39.50, but for those of us for whom even that is a bit more than we’re comfortable spending, there’s a PDF catalogue for the downloading, too.

Splish-Splash: The Esther Williams Interview

The always lovely (even when damp) Esther Williams was the Star of the Month on Turner Classic Movies for May (we say was because, well, the month’s almost over, and her movies were being featured on Thursdays, of which we’ll see no more before the arrival of the hot and sticky month of June).

So we thought it an apt time to share with the Cladrite community an interview we did with the divine Ms. Williams some years ago on the occasion of the publication of her memoir, The Million Dollar Mermaid: An Autobiography.

Enjoy! But wait at least an hour after eating before reading this Q&A.

An Interview with Esther Williams

In the 1940s and ’50s, Esther Williams was one of the brightest stars in MGM’s galaxy and she’s still going strong today. Her movies, with their memorable Busby Berkeley-choreographed aquatic extravaganzas, remain hugely popular today in revival houses and on cable television. And now, with the publication of her autobiography, Williams shares candid tales of her life as Hollywood’s “Million Dollar Mermaid.” We chatted with Ms. Williams about a wide range of topics, from her husband Fernando Lamas‘s sometimes philandering ways to cross-dressing in Hollywood. It was a conversation as lively and open as her book, The Million Dollar Mermaid: An Autobiography.

As we read your book, it struck us that you’ve have had a life filled with extreme highs and lows. There have been so many wonderful chapters in your life, but so many sad and tragic events as well.

Fernando Lamas and Esther WilliamsIt’s the idea that you’re smiling underwater—doing the impossible!—and then going home to a life that’s unraveling around you…I was struck with it, too. You know, writing your autobiography is therapy. You get in tune with a lot of things you thought you’d forgotten.

Fernando [Lamas] had asked me years ago not to be in the movies or television or do interviews anymore; as I say in my book, he asked, “Can you stop being Esther Williams?” And I said, “Well, that’s an interesting idea; I’ve been her for a lot of years. Let’s see how I do without her.”

And when Fernando died in 1982, the thing I noticed about the death of a life partner, especially one as difficult as Fernando was—when they go, you’re out of a job! The first person that called me after he died was Shirley Maclaine, who is my friend, and she said, “Well, Esther, you can finally get out of the house.” And I thought, Oh, Shirley, you tell it like it is. I’m so very fond of her.

Katharine HepburnAnd then Barbara Walters called. And I said, “Oh, Barbara, I haven’t been photographed in 20 years!” The one thing that Katharine Hepburn said that really made sense to me is that good thing about the talk shows is that people get to watch you rot. And I said, “I’ve been rotting in private!” And she said, “I’ve seen you at parties and you don’t look like you’re rotting to me. I want you to come and do one of my specials.” I said, “I’m not going to look good next to Jane Fonda or Sally Field.” And she said, “I won’t put you next to Jane Fonda and Sally Field; I’ll put you in the middle segment—we’ll put Mr. T before you and Howard Cosell after you, two of the ugliest men in the world.” And I said, “Oh, then I’ll do the show—of course!” [laughs]

Early in the book you detail a clinical experience with LSD. Later, you reveal that you were the victim of a rape at the hands of a family friend when you were a young woman, that your older brother died a tragic death when he was just in his teens. Was the book a form of catharsis for you?

You know, we seem to acquire, as we age and deal with various diminished capacities, an ability to articulate our feelings. To say, “No, no, you don’t understand. It wasn’t that way; it was this way.” And what happened to me is that, when I would go through the problems of day-to-day living, it was always wonderful to go to the studio and dive into that wonderful water. The water was very healing for me, and it remains so even today. I’m in my 70s. I had a knee replaced not so long ago and was going through physical therapy, and it hurt, you know? They’ve got to bring the muscles along, and it hurts.

So I said to Mark, my physical therapist—he came to my house to work with me, and he didn’t know how to swim—I said, “You’re $60 an hour, Mark. And you hurt. I don’t want to be hurting anymore; I’m going to get in the pool. And I tell you what we’ll do—we’ll call the $60 a push, because that’s what I’ll charge you for your swimming lesson. And I got him swimming, and he loved it.

What an opportunity for him, to receive a swimming lesson from Esther Williams! That’s a rare treat.

Artur RubensteinI thought it was worth the $60! Candy Bergen rang my doorbell one day and said, “I want [her daughter] Chloe to learn to swim.” And I said, “If you wanted her to learn to play piano, would you ring Artur Rubenstein‘s door?” And she said, “I don’t care if she plays piano, but she’s got to learn to swim.” And I said, “Yes, that’s true. Because that can save her life. Piano won’t ever save her life.”

Are you pleased—or perhaps surprised—by the rise of women’s athletics? Would you ever have imagined the sort of attention that’s been lavished on the U.S. women’s soccer team or the Olympic basketball players and gymnasts?

And synchronized swimming! It’s an Olympic sport now. Yes, it’s very exciting.
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