Here are 10 things you should know about Ruby Keeler, born 109 years ago today. She was one of the biggest stars of early movie musicals.
Very few performers have ever managed to carve out a nine-decade career in show business, but that’s just what Rose Marie (Baby Rose Marie, to Cladrite Radio listeners) has done—and she’s still going strong. Since launching her career at the ripe old age of four (she had a weekly radio program that was broadcast nationally before Shirley Temple was even born), Rose Marie has enjoyed success in vaudeville, radio, records, motion pictures, Broadway, and television.
A delightful new documentary, Wait for Your Laugh, documents Rose Marie’s amazing life and career, and we’re delighted to share a very lightly edited transcript of a telephone conversation we recently had the pleasure of enjoying with her. Buckle your seat belts; it’s a delightfully wild ride. As you’ll soon see, Rose Marie is as sharp and as funny as ever.
Cladrite Radio: I have a lot of things I’d like to talk to you about.
Rose Marie: First of all, let me ask you a question.
Cladrite Radio: Sure.
Rose Marie: Did you see the movie [Wait for Your Laugh]?
Cladrite Radio: I did!
Rose Marie: What’d you think of it?
Cladrite Radio: I loved it. I thought it was great.
Rose Marie: What’d you like about it?
Cladrite Radio: I’m very interested in the popular culture of the 1920s, ‘30s and ‘40s, in addition to …
Rose Marie: That’s my era.
Cladrite Radio: It sure is. I have an online radio station that features music of that era. I play some of your records on the station.
Rose Marie: Oh, nice.
Cladrite Radio: When I got the chance to interview you, I was so excited. I’m a fan of your music, and I grew up with you on TV as well.
Rose Marie: I know, everybody says that. It makes me feel so old.
Cladrite Radio: Oh, well, I’m not so young myself.
Rose Marie: I’m 94, wanna bet?
Cladrite Radio: You’re doing great. You’re probably doing better at 94 than I am at 59.
Rose Marie: Okay.
Cladrite Radio: I wanted to ask you about the documentary. Whose idea…
Rose Marie: I’m very happy to tell you. I’m very proud of it. I love it. I’m so proud of [director] Jason Wise, I can’t stand it. I think he’s a genius. I think he’s going to be one of the biggest men in the business in a couple years. I think this will introduce him to everybody. I think he’ll even be bigger than Steven Spielberg.
Cladrite Radio: I’ll bet he wouldn’t mind that a bit.
Rose Marie: Oh, he’s wonderful. You have no idea. You don’t know how particular he is. When we decided to do this thing, I kept everything from the time I was three years old. Postcards, pictures, film, anything I had, I kept. When he talked about doing the documentary, he says, “Let’s talk.” I said, “I have everything in scrapbooks. Why don’t you just go through everything?” I emptied out my house, and I mean he cleaned me out of everything. He put it in that documentary. Just a genius.
Cladrite Radio: All the materials that we see in the documentary, the film clips we see and some of the programs and promotional materials and various things that are included in it…
Rose Marie: All mine. All mine that he dug up out of my house.
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The gruff but lovable William Demarest was born 125 years ago today in St. Paul, Minnesota. Here are 10 WD Did-You-Knows:
- If Demarest doesn’t strike one as the typical Minnesotan, that’s probably because his family moved to New Jersey when he was a baby, a state that better gibes with his irascible persona. His father was a second-hand furniture dealer.
- Demarest was a veteran of World War I, serving as a sergeant in the United States Army.
- Demarest’s performing career began when he was a very young; he played cello in an act with his two older brothers that played resort hotels in New Jersey. He then work as a dancer and comedian in cabarets and worked two seasons with the Alcazar Theatre Stock Company in Stockton, California.
- Demarest had a brief boxing career, fighting under the name “Battling McGovern,” but he preferred not to discuss that period in his life in his later years.
- Demarest later played vaudeville, first as a solo act and later teaming with his first wife, Estelle Collette (her real name was Esther Zychlin).
- Demarest received his first screen test for Warner Brothers in 1926. “We filmed in L.A.,” he later said, “and you could have smelled it in New York. It was just awful.” Nonetheless, he signed a five-year contract with Warners the next year, appearing in a dozen silent pictures.
- Though he went uncredited, Demarest can be spotted in the role of Buster Billings opposite Al Jolson in the first talking feature, The Jazz Singer.
- Demarest was a member of Preston Sturges‘ stock company. His facility with physical comedy suited the director’s style particularly well.
- Demarest made over 100 pictures and received one Oscar nomination, for his supporting role in the 1946 biopic The Jolson Story.
- Demarest is best remembered today for his work on television, particularly for the role of Uncle Charley O’Casey on My Three Sons. He replaced William Frawley, who was in frail health, on tha popular sitcom. Demarest received one Emmy nomination for his work on the show, on which he appeared from 1965 to 1972.
Happy birthday, William Demarest, wherever you may be!
Actress and Queen of the Nightclubs Texas Guinan was born Mary Louise Cecilia Guinan 133 years ago today in Waco, Texas. Here are 10 TG Did-You-Knows:
- Guinan was one of seven children. Her parents were Irish-Canadian immigrants. She attended parochial school at a Waco convent.
- When Guinan was 16, her parents moved the family to Denver, Colorado. There she began to appear in amateur stage productions before marrying newspaper cartoonist John Moynahan at age 20. The pair moved to Chicago, where she studied music. She eventually divorced Moynahan and began to perform in vaudeville as a singer.
- Guinan’s singing was reportedly no great shakes, but she had lots of pep and she soon found that she improved her prospects as a performer by regaling the audience with (perhaps exaggerated) tales of her “Old West” upbringing.
- In 1906, Guinan moved to New York City, where she worked as a chorus girl before finding additional work in vaudeville and on the New York stage.
- In 1917, Guinan made her movie debut and soon was a regular in western pictures. She is said to have been the first movie cowgirl (her nickname was The Queen of the West). Guinan would go on to appear in more than 50 features and shorts before she died in 1933.
- With the passage of the 18th Amendment, Guinan became active in the speakeasy industry, serving as hostess and emcee for a long string of illicit (but very popular) nightspots. Her outsized, sassy personality and her skill at evading justice, despite her many arrests for operating a speakeasy, made her a legendary figure in Prohibition-era NYC.
- Guinan’s speakeasies featured an abundance of scantily clad fan dancers and showgirls, but her penchant for pulling the legs of the rich and famous served her just as well. “Hello, suckers!” became her standard exclamation for greeting customers. Her well-to-do patrons she referred to as her “butter-and-egg men” and she coined the familiar phrase “Give the little ladies a big hand” while serving as emcee.
- Texas Guinan’s nightclubs were often backed by gangster Larry Fay and such legendary bad guys as Arnold Rothstein, Owney Madden and Dutch Schultz frequented her establishments—alongside relatively “good guys” such as George Gershwin, Walter Chrysler, Pola Negri, Mae West, Al Jolson, Gloria Swanson, John Gilbert, Clara Bow, Irving Berlin, John Barrymore and Rudolph Valentino.
- Ruby Keeler and George Raft both got their starts in show business as dancers as Guinan’s clubs, and Walter Winchell acknowledged that the inside access Guinan gave him to Broadway’s cornucopia of colorful characters helped launch his career as a gossip columnist.
- Guinan died of amoebic dysentery in 1933, one month before Prohibition was repealed. She was just 49. Bandleader Paul Whiteman and writer Heywood Broun were among her pallbearers.
Happy birthday, Texas Guinan, wherever you may be!
The wonderful Joan Blondell was born into a vaudeville family 110 years ago today in New York City. A performer from early childhood, she provided a spark to just about any picture or program she appeared in. Here are 10 JB Did-You-Knows:
- Blondell toured with her family’s act, the Bouncing Blondells, until she was 17, at which point the family settled in Dallas, Texas.
- In Dallas, Blondell became a beauty contest contestant under the name Rosebud Blondell. She won the 1926 Miss Dallas pageant, was a finalist in an early version of the Miss Universe pageant in May of that year, and came in fourth in that year’s Miss America pageant in Atlantic City, New Jersey.
- Blondell relocated to NYC around 1927 to join a stock theatrical company, and in 1930, she appeared on Broadway opposite James Cagney in a play called Penny Arcade (Cagney would soon make his film debut in the film version of the play, Sinners’ Holiday; Blondell was in that picture, too, but she already had a small handful of films to her credit at that point). Both Cagney and Blondell repeated their Broadway roles in the film version at the insistence of Al Jolson, who’d seen the play on Broadway and purchased the film rights, though the play had closed after just three weeks.
- Blondell and Cagney made six pictures together at Warner Brothers—more than any other actress.
- Blondell was a WAMPAS Baby Star in 1930.
- Blondell was married three times—to cinematographer George Barnes for just under three years, to actor and crooner Dick Powell for just under eight years and to theatrical impresario Michael Todd for just under three years. She had a son with Barnes and a daughter with Powell.
- When she signed with Warner Brothers, Jack Warner urged her to change her name—he thought Inez Holmes had a nice ring to it—but Blondell refused.
- In 1972, Blondell published a novel, Center Door Fancy, that was said to be something of a roman à clef, with characters based on former husband Dick Powell and his third wife, June Allyson, with whom he had an affair while married to Blondell.
- Blondell was nominated once for an Oscar, in the Best Supporting Actress category for her work in The Blue Veil (1951).
- In a career that lasted a half-century (if you count vaudeville, her career lasted 75 years), Blondell totaled more than 150 combined credits in pictures and on television. She worked until the very end, with her two final films released after her death of leukemia in 1979.
Happy birthday, Joan Blondell, wherever you may be!