Celebrating an American master
The great Samuel Barber was born a hundred years ago today.
The piece for which he is best known, Adagio for Strings, remains our favorite orchestral work. The Adagio began as the second movement in his String Quartet No. 1, Op. 11, which was written in 1936.
It’s likely you’ve heard the piece before (it’s been used in many movies, among them Platoon (1986) and The Elephant Man (1980)), but here’s a choral version of it for your consideration, performed by The Choir of Trinity College, Cambridge, UK, under the direction of Richard Marlow.
And here’s a discussion of Barber’s life and career, originally broadcast on radio station WHYY, between Barber’s biographer Barbara Heyman and David Ludwig, acting head of musical studies and member of the composition faculty at the Curtis Institute of Music, a conservatory in Philadelphia, Penn.
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'Tis Autumn
Old Father Time checked, so there'd be no doubt.
Called on the North wind to come on out,
Then cupped his hands so proudly to shout,
"La-di-dah di-dah-di-dum, 'tis autumn!"
Trees say they're tired, they've born too much fruit.
Charmed on the wayside, there's no dispute.
Now shedding leaves, they don't give a hoot.
La-di-dah di-dah-di-dum, 'tis autumn!
Then the birds got together
To chirp about the weather.
La-dah-di la-dah-di la-dah-dum
After makin' their decision,
In birdie-like precision,
Turned about, and
Made a beeline to the south.
My holding you close really is no crime.
Ask the birds and the trees and old Father Time.
It's just to help the mercury climb.
La-di-dah di-dah-di-dum, 'tis autumn.
---Henry Nemo, words and music




